Kaplan and Kehlmann: Carrying the Torch of George R. Stewart Onward, I: Robert Kehlmann

Although George R. Stewart is not as well-known as other authors of his day, there is a distinguished band of people who know, value, and carry on his work.  Other authors, including Stephen King, Larry McMurtry, Christopher Priest, Wallace Stegner, William Least Heat Moon, Kim Stanley Robinson, and others, acknowledge GRS either openly through essays or quietly through references in their work. Walt Disney filmed two of Stewart’s books for the Disney TV show.   Stewart’s millions of fans, of course, keep his books alive; several, like Earth Abides,  are still good sellers.  And there are those who actively memorialize and share Stewart’s work.  Two of these are Robert Kehlmann of the Berkeley Plaque Project and Naturalist Emeritus Alan Kaplan.  This post focuses on Robert Kehlmann.

Raised in Brooklyn, New York, now living in Berkeley, California, Robert Kehlmann is a distinguished glass artist, a “painter with glass.” Initially trained in Literature, Kehlmann began to see paintings as similar to poems in their effects on the viewer; and he decided to produce new works of painterly glass “paintings” that would encourage that response.  He helped found a movement taking artistic glass from its traditional use in architecture to a more painterly use, in which glass becomes the “paint” of an artist’s work.  Kehlmann’s work is found in many collections, including the Oakland Museum, the Smithsonian American Art Museum, the Corning Museum of Glass, New York’s Museum of Arts and Design, and others.

Kehlmann is active in historic preservation in Berkeley.  Former Director of the Landmark’s Preservation Commission in Berkeley, Kehlmann founded the Berkeley Historical Plaque Project in 1997.  On its elegantly designed site, the Plaque Project lists Berkeley historic sites and people with physical or online plaques.  One of those honored by Kehlmann’s project, byan ePlaque,  is  George R. Stewart.

(Also honored with an ePlaque is Wilder Bentley the Elder, and his family.   Bentley, an exceptional poet and printer, was a regular visitor at the former Thornton State Beach in the days Stewart and his family visited.  The Bentleys’ Archive Press published the first book of Ansel Adams’ photographs – a work which led to the establishment of Kings Canyon National Park.)

Kehlmann is one of several fine partners we work with in this tiny but determined project to honor the work of George R. Stewart and educate others about Stewart’s work.  He joins Bill Oudegeest of the Donner Summit Historical Society, who spearheaded the George R. Stewart Interpretive Plaque on Historic US 40 at Donner Summit, Phil and Patty Aaberg at Sweetgrass Music, who published Phil’s Earth Abides sheet music, Baiba Strads and the others of the Bancroft Library, and the select group of people who’ve dug into their pockets to fund or develop these works:  Steve Williams, Doug Raybeck, Junlin Pan, Joyce Colbath-Stewart, Dee and Barney Barney, Bob Lyon,  Beth Lapachet, Brian Byrne, Ross and Charlene Bogert, John and Angela Lucia, Willie Stewart, Paul F. Starrs.

And Alan Kaplan, subject of the next post.

Eastend, Saskatchewan, Wallace Stegner, and George R. Stewart – a Reprise.

On this fine spring day in Carson City, Nevada, memories of Eastend, Saskatchewan, and its connection with George R. Stewart have burst out like the blossoming flowers visible from the window of this writer’s current roost.  That’s probably because I first saw Eastend as the snows of winter gave way to the flowers of spring, visible outside the window of the Wallace Stegner Boyhood Home.  So I reviewed the earlier post about Eastend and Stewart.  It’s been revised, upgraded and renewed.

Eastend is, in and of itself, worth a trip to Canada.  If you’re heading to visit Canada’s prairies or the Rockies, a side-trip to the town should be on your itinerary.  If you’re going to Idaho or nearby to see the August Total Eclipse, head a few hundred miles north to visit Eastend.  It will be a highlight of your trip.

The updated post follows.

About 16 years ago, quite by accident, I wandered into Eastend, Saskatchewan.  The tiny farm town in Saskatchewan’s southwest didn’t seem of much interest — until I noticed the T-Rex Laboratory in the middle of town.  Intrigued, I visited the lab, where  paleontologists were hard at work preparing the fossil bones of the most massive T-Rex ever discovered.

Eastend was apparently more than it seemed at first look, so I began to walk around the town.

In two blocks I realized the “accidental” visit was a classic Jungian  synchronicity.  A sign on the main street  pointed toward a modest home on a quiet street near the Frenchman River was “Wallace Stegner’s Boyhood Home.”   Stegner, who spent his boyhood years here,  was profoundly influenced by George R. Stewart.  Stegner wrote a fine essay about Stewart,  included in Stegner’s  WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.   In the George Rippey Stewart Papers at the Bancroft Library (See link in the header of this page) there are several wonderful letters from “Wally” Stegner to Stewart; in the Stegner Papers at the University of Utah, there are replies from Stewart.

Later, researching a chapter on the friendship between Stewart and Stegner, I found the website for the Boyhood Home (now a Canadian Heritage site). Restored by the hard work of local people, the house had become a residence for writers and artists.  They accepted my application; so I had the rare honor of living in Stegner House for several weeks over three visits.  And the pleasure of getting the chance to know Eastend and its wonderful people.  Some, like Charlie Goulet, are now gone; but I know if I drove into town tomorrow I’d soon run into Ken and Ethel Wills, Dick and Clora Banford, Tim and Jacquie Tokaryk,   the Websters, and the others who have helped bring that community back into vibrant life.  It’s now home to one of the finest small enlightenments in the world today.  Good cheeseburgers at Charlie’s Lunch, good meals at Jack’s, several b&b’s;  and a new T-Rex Discovery Centre that would do justice to the Smithsonian, and that interdisciplinary marriage of art and science – STEAM – that characterize Enlightenments or Renaissances.

It was an inspiring place to work on the biography.  And, as things turned out, it was the place — in the living room of the Stegner House — where I found the key to the George R. Stewart biography.

The other highlight was being honored with a presentation of a Saskatchewan supporters of the arts pin, by Lieutenant Governor Lynda Haverstock.

Visit Eastend.   And give it some time.  Good campground, adequate motels, not far from a CAA approved motel in Shaunavon if you prefer a “larger” town.

With the Stegner House, the T-Rex Discovery Centre, a fine pottery, and other art locations, Eastend is a highly recommended place to visit.  Also recommended is Stegner’s book about Eastend, Wolf Willow, and his collection of essays described above, WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.  The collection of essays, which includes the essay about George R. Stewart,  begins with his memories of Eastend.

Philip Aaberg’s sheet music for “Earth Abides” is published

For nearly a decade, I was a traveling Educator for NASA.  Most school work, in those long-ago days on the NASA Education highway, was with 4-6 grades. Sometimes, though, we’d work with High school students.  That age group can be a challenge.  A former high school teacher myself,   I had a few appropriate activities to use.  One was to work them through The Drake Equation.  (See also this BBC Interactive Page.)  Another,  a head-down bedrest exercise that let the chosen briefly experience and document the fluid shift caused by microgravity.  The third was to read from George R. Stewart’s Earth Abides.

 

 

At Galena High School in Reno to work with Science Teacher Richard Brong’s students, I included the Earth Abides reading with other activities.  After the session ended, Richard asked, “Do you know Philip Aaberg’s music?”

 

 

“Aaberg’s written and recorded a composition called ‘Earth Abides.'”

 

It was the beginning of a quest:  To find a copy of the music; then, if possible, to find Philip Aaberg.

 

Fortunately, Missoula’s legendary Rockin Rudy’s had a copy of the Windham Hill CD, Harvest, with Aaberg’s composition.

 

 

Then, with some detective work  on the web, I found the phone number for Sweetgrass Music, Phil and Patty Aaberg’s music (etc) business.   Calling the number connected me with Patty Aaberg; Patty connected me with Phil.

 

Phil is an exceptional musician.  In high school he regularly traveled 600 miles by train from Chester, Montana, to Spokane, Washington, (and 600 miles back)  to study with a Julliard teacher who’d moved west to find students like Phil.  He received a full scholarship to Harvard.   When he found himself depressed by the Vietnam war, unable to create music, his brother sent him a copy of Stewart’s Earth Abides.  The book, and others by Stewart, encouraged and inspired him, and he could once again create.   The composition was his honoring of Stewart and Stewart’s great novel.

 

The friendship with Phil eventually led to his participation in a George R. Stewart Symposium at the annual CONTACT conference.  There, Phil spoke of Stewart’s profound influence; then played several compositions, including Earth Abides.

Now – thanks to sponsors Bob Lyon,  Junlin Pan, Ross and Charleen Bogert, Alan Kaplan, Joyce Stewart, and Doug Raybeck – the sheet music for Aaberg’s Earth Abides  has been published.  It’s for sale at a reasonable price, here:

If you play the piano or know someone who does, this is worth buying.

 

Even if you don’t play, buy it – the cover is worth framing.

 

If Stewart’s iconic novel becomes a successful mini-series, this will be a collector’s item.

 

Highly recommended.

 

Here’s more about Philip Aaberg, from an excellent website about simplification:

 

 

GRS Supporter Michael Ward’s Wonderful Projects and Pages

Stewart fans owe Michael Ward a great deal.  He volunteered to create and post the George R. Stewart web pages, at his own expense.  The pages contain an excellent repository of information and links about Stewart and his work.  This blog reports the news about GRS; Mike’s pages are the best overview of basic information for Stewart.

We owe publication of the Stewart biography to Mike, as well.  Science fiction author G.D. Nordley, a fellow participant in the annual CONTACT conference,  suggested I contact Mike and his fellow organizers of the speculative fiction conference, Potlatch, to offer to participate on a panel about their Book of Honor that year, I jumped at the chance:  the book was Stewart’s Earth Abides. Mike, the panel organizer Tom Becker, and the others, graciously welcomed me to the program, and the panel.

One of the vendors there recommended submitting my book proposal to McFarland for consideration.  Agent Sally van Haitsma did so, and McFarland agreed to publish the book.

So it can be said that Mike Ward, his associates, G.D. Nordley, and Sally van Haitsma brought the GRS biography to life.

Now Mike keeps the GRS pages alive for our common interest.  Many of those who visit this weblog are directed here by Mike’s website, so he does a fine job of spreading the word about Stewart.

Mike has his own websites, and projects, and they are interesting and in at least one case wonderful research resources.

He has a site, Hidden Knowledge,  for the works of several authors, among those books the great adventure stories of Rafael Sabatini. Sabatini knew how to write a good tale.  Like C.S. Forester, Sabatini’s books are about the sea in the 18th century.  But Sabatini wrote pirate stories.  Like Forester, Sabatini’s work was filmed Captain Blood and and  The Sea-Hawk wonderful swashbucklers starring Errol Flynn, are probably the best-known.

(Please note that the links to buy the books no longer work.  So simply browse the site to learn more about Sabatini’s books, and the others Mike lists.)

Another of Mike’s sites is devoted to the art of magazine covers.  MagazineArt.org has more than 15,000 examples of cover art and magazine ads on the site – a virtual Smithsonian for the wonderful art of those printed wonders that enriched the lives of Americans and others before television or film or radio – and after, as well.

He has sites devoted to historic travels and travelers.  TravelHistory.org,  and another for the Trans-Siberian Railroad.  The many articles on the travel history page make for fascinating reading, allowing you to be an armchair traveler in the days of the web.

His pages link to other sites, about Burton Holmes, Rafael Sabatini, and George R. Stewart.

Thanks again to Mike Ward, whose GRS pages were the first major web presence for those of us who are fans of Stewart’s work.  Mike’s GRS pages bring others to this weblog.

His other pages are worth a browse.

GRS in a “Third Space”: Sharing ‘Stewart Gold’ with the Native Sons of the Golden West

(Thanks to the kindly efforts of WordPress Happiness Engineer, the missing post has been found!)

The Native Sons of the Golden West is a fraternal lodge like the Elks, and does community service like the Lions.  It comes from a noble old tradition of men’s lodges and women’s clubs which did much good work in their communities before government had the resources or the inclination.  Part social, part uplifting, part hard work and fund-raising.  These are community groups in some ways similar to Christian churches, since the meetings usually include a meal – a “communion,” one might call that – followed by shared exhortations and fundraising to fulfill community needs. Service/fraternal clubs often emphasize one or two areas of need.  Shriners built a hospital for crippled children; the Lions Club builds parks and helps the blind; the Grange supports farmers.

George and Ted (Theodosia) Stewart played an important role in the service/fraternal club movement during their years at the University of California, Berkeley.  In 1927, Ted helped found the University Section Club – so named because it had sections for members with different interests.  The Drama Section was the one in which George and Ted were active, writing and performing plays in a reader’s theatre style.  The socialization was a highlight for the Stewarts and the other members; and in the best tradition of such clubs, money raised by the Drama Section Club was used to buy milk for poor children.  The Section Club’s motto, “Friendship and Philanthropy,” is a fine statement of the character of all such groups, including the Native Sons of the Golden West.

In such friendship and philanthropy, the service/fraternal groups are an excellent example of what Robert Putnam, in his classic work Bowling Alone, calls “high social capital.”  According to Wikipedia, social capital was first defined in the way Putnam uses it by a West Virginia Educator, Supervisor of Rural Schools L.J. Hanifan.  Hanifan wrote:

I do not refer to real estate, or to personal property or to cold cash, but rather to that in life which tends to make these tangible substances count for most in the daily lives of people, namely, goodwill, fellowship, mutual sympathy and social intercourse among a group of individuals and families who make up a social unit… If he may come into contact with his neighbour, and they with other neighbours, there will be an accumulation of social capital, which may immediately satisfy his social needs and which may bear a social potentiality sufficient to the substantial improvement of living conditions in the whole community. The community as a whole will benefit by the cooperation of all its parts, while the individual will find in his associations the advantages of the help, the sympathy, and the fellowship of his neighbours.

(Read the entire book here.  Chapter VI is about social capital.)

The next leader to use the term was another famous educator, John Dewey.  It is interesting to note that educators, like Hanifan, Dewey, and Putnam understand the need for and the positive power of social capital, while some businesses and public agencies seemingly do not.  t.

George R. Stewart wrote about attacks on social capital in a brilliant chapter in his award-winning book Not So Rich As You Think. Although primarily about pollution and waste, Stewart also considers the waste of human talent that low social capital a threat to society.  As I wrote, in an earlier post about the book:

In a chapter entitled “Waste Without Weight” Stewart describes how the modern corporate state weakens social capital by constantly moving people around and thus prevents those people from ever developing a sense of community.  He suggests that the disorder caused by [such practices] may have a terrible effect on the personalities of humans, theorizing that juvenile delinquency may be one result.

In a society driven by the “bottom line,” economic capital becomes pre-eminent, and social capital is (purposefully, perhaps) weakened.  But the Native Sons, the Section Clubs, and their ilk, keep social capital alive. These organizations are “Third Spaces” – places other than home or work where people informally gather to share ideas and meals in a relaxed, informal, voluntary atmosphere, and often organize to plan improvements to their communities.

So when old friend Paul Lapachet, at his sister Beth and Brother-in-Law Brian’s annual Christmas Eve Gathering in their beautiful Twin Peaks Home,  invited me to speak to the Native Sons of the Golden West annual Discovery of Gold Celebration Banquet (which honors James Marshall’s discovery of the nugget that started the Gold Rush) I enthusiastically agreed. In the stressful time of a major move, it was good therapy to work up a presentation that would appeal to the diverse membership of the NSGW who were attending the banquet. 

The banquet was held in Rancho Cordova, close to the Gold Discovery site at Coloma. A great storm which hit the area didn’t  deter attendance.

The talk was well-received.  Several people asked for more information about GRS and his work.  Hopefully,  there’ll be some new GRS fans soon.

Old friend, John Lucia, formerly of California state parks, an avid collector of and restorer of historical objects and houses, attended the talk. Afterwards, I accepted John and Angela Lucia’s kind invitation to leave the  motel and stay in their magnificent home in an historic neighborhood of Sacramento. p1040663

John Lucia on the porch of his and Angela’s historic Sacramento home.  (Angela was cooking.)

Then the massive storm  – a GRS Maria if ever there was such – cleared, Donner Pass opened, and I headed east and south in the aged Chinook, to Carson City, Nevada.  It’s not easy to make such a major change at this stage of life; but talking about George R. Stewart, staying  with the Lucias (who knew the Stewarts), and then  moving to Stewart Country, was encouraging and uplifting.

So far, I’ve met a fine bookseller, an artist, a writer, and other residents who inform me that Carson City has decided to become a city of outdoor recreation and the arts.  GRS would be most happy – as I am. I feel  at home  here.

I’m now staying within walking distance from Stewart, Nevada, where GRS took this iconic portrait:

Author George R. Stewart in one of his favorite places, Nevada

Thanks to Paul Lapachet, I’ve learned a lot about the NSGW.  For one thing, I’d always assumed that one had to be a descendant of someone who arrived in California before 9,9, 1849.  But that’s not the case – anyone who was born here can join.

I also learned how much good work the NSGW does in the field of historic preservation and interpretation. For example:  the group places historic plaques in many locations;  saved Sutter’s Fort from demolition; and is raising the funds to restore the Pioneer Monument at Donner Lake State Historic Park (a monument they originally built and donated to the state) AND build a new interpretive center there.

I intend to join the NSGW.  I encourage all of you to consider it, too.

(Written in Stewart Country, not far from the California Trail  and Donner Pass.)