A New Stewart Scholar

There aren’t too many George R. Stewart Scholars. The pioneers include Robert C. Lyon (Founder of the Friends of George R. Stewart), Vic Moitoret (Founder of the  George R. Stewart Fan Club), Steve Williams (the Pilgrim), and myself.

Now we’ve added a new one: Jason Schultz, Anaheim, California, who’s done remarkable research on the history of the Stewart family orange grove in Anaheim.

One of the rewards of posting to the George R. Stewart weblog is connecting with people like Jason, and sharing the joys of discovery. In his case, he decided to research the location of the Stewart Family Orange Grove  in Anaheim.  Stewart once described the location, vaguely, as about two miles west of the town on a road which is now the main route to Disneyland. 

Jason Schultz was able to pin the location down.  The following email exchange tells the story:

Hi Donald,

I got great information and documents from the Anaheim Heritage Center
and the Orange County Archives. Be sure to credit those institutions as
well!

I first heard from Jane Newell, the Anaheim city archivist.

Here’s what I was able to find at the Anaheim Heritage Center:
1) Property transaction from A. Gregory et al to Robert J. Laidlaw to
George R. Stewart – Santa Ana Register, May 13, 1912 ….
         Property description boils down to a few portions of the
southeast quarter of Section 8, Township 4 South, Range 10 West.
2) …
         Since I don’t see George Stewart’s name in the southeast
quarter of Section 8, I believe it is the parcel still labeled “A.
Gregory” and outlined in green.
         Per the[plat] map, the parcel is on Nutwood, just north of County
Road (aka Lincoln Ave.).

Chris Jepsen with the OC Archives provided some more specifics:

I looked at purchases (grantees) from 1889 through 1926 and sales
(grantors) from 1909 through 1929.

George R. Stewart bought a couple small parcels of land and also bought
half interest in another small parcel – all within the west half of the
southeast quarter of Section 8, Township 4 South, Range 10 West, just
west of Anaheim on April 23, 1912. (Deeds 211/176)  This area is south
of Crescent Ave., north of Lincoln Ave, and east of N. Muller St.

The sellers were Robert J. and Maggie G. Laidlaw (husband and wife). He
bought more adjacent land on Oct. 9, 1914 from Peter W. and Pauline
Schmidt (husband and wife). (Deeds 265/198) And on June 1, 1920, George
R. and Ella W. Stewart went in with their neighbors to jointly purchase
a small parcel of land for a pumping plant in that same area. (Deeds
391/328)

The Stewarts sold their Anaheim property to Bernard D. Parker, (son of
C.E. Parker, president of the Orange County Title Co.), on Feb. 25, 1928.

I was able to find a 1923 newspaper article that is also relevant…

At least part of the grove is now occupied by the Anaheim Union High
School District offices, which perhaps GRS would appreciate as an
educator himself.

Jason also sent a plat map of the property (and other files):

OC Plat Map 010

It’s interesting to note how life paths, after circling around for decades, cross again.  The family Orange Grove, where Stewart worked as a young man, is not far from today’s Disneyland.   Walt Disney would film two of author George R. Stewart’s novels, Fire and Storm.  And Disney eventually invited GRS to work as a consultant at the Disney studio.  Disney, a great fan of Stewart’s, sent the author two personal letters praising his work. 

So the circle of life turns, and turns again.

Schultz’s work is invaluable scholarship.   If the research had been available when I wrote the GRS biography, it would have been included. 

Consider this Jason’s New Year’s gift for all of us, at the beginning of the 70th anniversary year of the publication of Earth Abides. 

(By the way, I owe Jason a slight apology – this was supposed to have been posted last September; but several unexpected matters got in the way.)

The More-or-Less Annual George R. Stewart, Jimmy Stewart Christmas Post

Time to re-post this story of the close connections between George R. Stewart and Jimmy Stewart, and between the mythical It’s a Wonderful Life town of Bedford Falls and the real Indiana, Pennsylvania, boyhood home of both Stewarts.  Christmas ispast, but Little Christmas awaits.  And since the iconic film ends with “Auld Lang Syne” this is perfect for New Year, 2019.  

It’s a Wonderful Life is still popular on local screens around the country:  This year, the local Carson City, Nevada, Galaxy Theater showed the film twice on the Saturday before Christmas.  

Long may it live.

(Don’t miss the interview with one of the stars at the end of this post.)

bedford_falls

It’s A Wonderful Story

This is the time of year when most of us watch the classic Christmas movies.  A Christmas Carol with Alastair Sims, Miracle on 54th Street, A Child’s Christmas in Wales,   (An almost unknown gem, produced in Canada, starring Denholm Elliot); and, of course,  It’s a Wonderful Life.

In Arroyo Grande the local theater,  owned by a man who loves movies, shows one of those classics each Christmas. The admission is a can of food or a toy, to be donated to those in need – in the spirit of the movie.  …To see such a film on the big screen, surrounded by local neighbors of all ages – to see how the children love the film – it is a reminder of what we’ve lost.  Now we watch movies on TV, but usually alone, and always less intently – a kind of a digital sampling of the films.  Like a CD, we miss much when we do that.  But in the theater watching Miracle on Thirty-Fourth Street  we missed nothing.  And – how long since you’ve experienced this? – the audience clapped and cheered when the judge decided that, yes, Kris Kringle was indeed Santa Claus.  It was a fine traditional twentieth century American Christmas experience.

its_a_wonderful_life_002

For most of the people I know, It’s a Wonderful Life   is the Christmas movie.  So those who are George R. Stewart fans should know about the connection between that classic film and GRS.

George R. Stewart was raised in Indiana, Pennsylvania, where his mother’s family lived.  His maternal grandfather, Andrew Wilson,  planned to be a teacher, and even helped found a school nearby (which would become the prestigious Kiski School).  But he couldn’t earn enough to support his family; so he went into the mercantile business.  He  had a hand in a hardware store there, owned by another Stewart.  That Stewart’s son was James Stewart, also born and raised in Indiana.

George and Jimmy looked alike.  With all the similarities in family history, geography, and physiology, you’d expect they were related.  But they  shared only one possible distant relative.  And they lived in different worlds, in Indiana.  The George Stewarts went to the middle-class Presbyterian church on the flats; Jimmy Stewart and his parents went to the upper-class Presbyterian church on the hill.  GRS went to a public high school out west, Jimmy to a prestigious private school in the east.

Still, the lives paralleled in remarkable ways.  GRS and his family moved to Pasadena; he went to Princeton; and after marriage moved his family to Berkeley, California.  Jimmy went to Princeton, then moved to Pasadena; and spent his life in Southern California.  GRS wrote books, two of which were filmed.  Jimmy made films, like that grand Christmas classic we all love.   GRS worked at the Disney studios for a time, an advisor to Walt himself.  Jimmy worked at many studios, creating characters and stories that touched the hearts of millions.  Ironically, GRS did not like the media, and apparently did not attend movies often, if at all.

Their paths apparently never crossed.  GRS and his family left Indiana for California in 1905, when he was 12.  That was the year James Stewart was born. Out west, nothing in their interests or their work brought them together.  Since the film we now consider a classic failed in its initial run, it is unlikely GRS would have seen it even if he did go to the movies.

Yet, in this Christmas season, we should remember there is one thing they shared; and thanks to the film, we share it with them:  The experience of life in a small American town in the early 20th century.  Like a trip to Disneyland, a viewing of It’s a Wonderful Life enfolds us in such a place.  For a time, we walk the streets and meet the people of the town and the time where both boys grew up.

Here’s a passage from the biography of Stewart,  about Indiana, Pennsylvania, as Bedford Falls:

George R. Stewart’s boyhood town was so archetypically American that it could pass for George Bailey’s “Bedford Falls” in Frank Capra’s It’s A Wonderful Life. In fact, the town was “Bedford Falls” – at least for the movie’s male star. Indiana, Pennsylvania, was also the boyhood home of James Stewart, who played “George Bailey” in Capra’s film.   Although the movie’s “Bedford Falls” was built on a studio backlot in the San Fernando Valley, Jimmy Stewart said that when he walked onto the set for the first time he almost expected to hear the bells of his home church in Indiana.

Each year, Indiana holds an It’s a Wonderful Life Festival, with a parade, hot chocolate,  tree lighting, and continuous showings of the film at the Jimmy Stewart Museum.  It’s a winter festival; so the people lining the streets in their warm clothing bring life to a snow-bound town, like the movie brings life to the streets of the movie set town.

(The film’s Producer Director, Frank Capra, apparently modeled his set on the upstate New York town of Seneca Falls; but for Jimmy Stewart, star of the movie, Indiana, Pennsylvania, where he and George R. Stewart grew up, was the place he kept in his heart when he brought George Bailey to life.)

This Christmas, when you watch Capra’s great film (which, by the way, is playing here Christmas Eve, this year of 2016), give a thought to the boyhood of George R. Stewart.  Keep in mind that GRS celebrated his Christmases in a town which for Jimmy Stewart was the model for iconic, American, Bedford Falls.

Merry Christmas to all.

PS.  And here’s a Christmas gift, for 2016 readers – a link to the radio interview with “Tommy Bailey,”  one of the Bailey children growing up in Bedford Falls, setting for It’s a Wonderful Life. 

Will Earth Abides Be Filmed? (II) (Waiting With Bated Breath, II)

This is a short update of a post from some time ago, about the possible filming of George R. Stewart’s Earth Abides.

Since the earlier post reporting on possible filming of the novel, information has surfaced about the team interested in filming Earth Abides.  Two of the principles in the production company won Academy Awards; one was involved in the excellent (and similarly hard to film) Close Encounters of the Third Kind, and has a strong interest in filming science fiction classics.

The  team plans to do the film as a mini-series.  That’s a good idea, since the highly-competitive premium channels are interested in such stories – consider The Handmaiden’s Tale and HBO’s From the Earth to the Moon — and are always looking for projects to film.  A mini-series would be an ideal way to  bring the novel to the screen.

The project is still “under development.”  That can mean a search for funding, or the talent to turn GRS’s book into a successful film.  Development can take a long time – it took years for a successful version of Lord Of The Rings to be produced.

In the case of Stewart’s fine novel, any potential producer will need to work hard to convince the money men that the film can turn a profit.

Earth Abides would be a difficult work to transition to the screen.  Much of it is somewhat philosophical, or technical.  In a way that is distinctly different from current films, violence and sex are low-key and “off screen.”  There are no major battles or graphic sex scenes or gun fights.  To add such scenes would change the special nature of the book.

(The danger of a bad film translation can be found in Stewart’s own experience.   Stewart’s Fire was filmed twice.  The Disney TV version keeps the ecological focus of the novel.  The other version, by Paramount, was changed to emphasize sex and violence, and ignored the ecological focus.  It became Red Skies of Montana and a good example of how NOT to translate a novel to the screen.)

Ø Ø Ø

The news about the team is encouraging.  But there’s still no word about the actual filming.  So we continue to wait with bated breath.

 

Waiting with Bated Breath: Will We Hear George R. Stewart reading his manuscript of Earth Abides?

UCB_Doe_7The Bancroft Library, nestled between the Campanile and the Doe Library,

University of California, Berkeley

Photo copyright: MikkiPiperImaging.com   Used with permission.

 

The Bancroft Library will digitize recordings of several manuscripts recorded by George R. Stewart.

In the late 1940s and early 1950s, GRS decided to record his drafts.  (Before this, his drafts were written with sharp pencils, so he always kept a wad of sharpened pencils near his desk).  Since tape recorders were not available,  we believe he used the Dictaphone or a similar system.

Over the years of researching and writing about Stewart and his works, the idea of finding those recordings and digitizing them never went away.  But the big question was whether or not the Bancroft Library had the ability to digitize fragile recordings from an “ancient” format – if they existed and could be found.

Then, this week, a message came from the Bancroft Library:

I am happy to let you know that we are finally moving forward with digitizing the SoundScriber discs created (we believe) by George.  The process has taken quite awhile as we switched from our original plan of having them digitized by our normal vendor to having them digitized by a somewhat new and much less invasive process.
Our normal audio vendor is set up to digitize physical audio formats, like the SoundScriber discs, by playing the disc on a machine with a stylus, much like you would listen to a record a home.  The player is connected to some fancy equipment that records a digital file of the audio.  The SoundScriber discs are extremely fragile and their inherent fragility means that playing them once might completely erase the audio.  We were very nervous about the fragility and spent some time researching other methods of digitization that could mitigate the harm to the physical media.  Luckily for us UC Berkeley is the home to Project IRENE, which is a project team that works on digitizing obsolete media using optics.  
 
They have spent the last few years working on wax cylinders from the Phoebe Hearst Museum and the Library of Congress.  We brought the possibility of the SoundScriber process to them and they were excited for a new challenge.  They have now purchased new equipment to allow for their existing equipment to “play” SoundScriber discs and we plan to start digitizing the George Rippey Stewart discs soon.
 
As you can see from the Project IRENE website, they make as much of the material they digitize available as possible.  We would like to know if you would be amenable to us making the material available to researchers in the following ways:
 
1. in the Reading Room at The Bancroft Library
2. on the internet at one of our collection sites and/or through the Project IRENE site (without downloading capabilities for researchers)
 
The material has not yet been digitized so we still do not know what is actually on the recordings.  Please let me know what questions, comments, concerns you may have about making this material available to researchers.
MML,
Permission and Access Officer

The Bancroft Library, University of California, Berkeley
lange@berkeley.edu

 

The answer to the letter was a resounding “YES!” — from the GRS family and those of us sharing George R. Stewart with scholars, artists, and the general literate world.

And so it begins.

Ø Ø Ø

The backstory of events that brought us to this point is full of twists and turns.  It depended on the hard work of GRS Helpers, including Michael Ward, Keeper of the George R. Stewart Wikipedia pages.

I had contacted the Bancroft as a somewhat-anonymous scholar wondering about digitizing the recordings. But Stewart left strict instructions with the Bancroft:  No one was to listen to those recordings without his specific written permission.  When GRS passed away in 1980, permission would need to come from the family’s holder of copyright.

The Bancroft Librarians began searching for the family keeper of permissions.   Discovering Mike’s excellent GRS website they contacted him, asking if he could direct them to the person who could authorize the digitization and sharing of the recordings.Mike directed the Bancroft to me.

I connected them with Ed Stewart, GRS’s grandson, who manages permissions since his father Jack Stewart’s death.  Ed quickly gave his ok.

The Librarians began the process of finding the best and safest way to transfer those fragile old recordings to modern digitized form.   The letter explains the next steps they’ll take to preserve those treasures of literature.

bancroft-reading

Heller Reading Room, The Bancroft Library

The Bancroft Library is one of the great literary repositories on Earth.  Their collections include ancient papyrus texts, 49er diaries and journals (including those of the Donner Party), the Papers of the founders of the National Park Service and the Wilderness Society, and Mark Twain.  (Clemens’ family insisted on the Bancroft.)  And  the Bancroft holds the Papers of George R. Stewart, soon, we hope, to include his recordings of several of his manuscripts.*

Of course, as the Bancroft Librarian says, we don’t yet know exactly what’s on those recordings.  But there is good evidence that some of them contain GRS’s reading and verbal notes on his great epic, Earth Abides.  That novel, never out of print, influenced writers like James Sallis and Stephen King (who based The Stand on Earth Abides), and composer-musicians including Phillip Aaberg and Jimi Hendrix (Hendrix was inspired to write Third Stone from the Sun by Stewart’s book). Stewart’s novel is one of the great inheritances from our time, to all time.

GRS Composer/Scholar Philip Aaberg’s new video from Montana’s HiLine, honoring the Montana Farmers’ Union.

The hope we may soon be able to hear GRS reading parts of the novel in draft form is, well,  stunning.  The idea that the Bancroft will share that with the world’s scholars is a credit to them and the tools of this age.

It has been a long journey, indeed full of twists and turns, aided along the way by critical helpers, as our small band of scholars seeks the holy grail:  To teach the literate world and the STEAM-thinking world about George R. Stewart’s books and his ideas.  Now, at a summit on the Stewart Trail, we appear to be close to receiving a boon.  That boon – hearing Stewart read his manuscripts –  will be shared with the world.

Whatever is on those recordings, I am infinitely grateful for the hard work of all who have brought GRS and his works to this point.

As digitizing progresses, I’ll send updates. Stay tuned.

Bancroft Ranger          National Park Service Ranger ready to do NPS research at the Bancroft Library

 

*The Bancroft uses donations to fund such special projects, and also accepts donations of exceptional items that are within the purview of their collections.  You might consider sending them a donation .

The Ranger, The Astronaut, and George R. Stewart: To the Third Millennium, and Beyond!

A recent post on this weblog calls Stewart’s Ordeal By Hunger the first ecologically-based history.  But it’s more than an ecological work.

It is also the first work to combine the ecological perspective – “The Ranger’s Perspective” – with the view from space –  “The Astronaut’s Perspective.”  By using  those two perspectives to give an ecological understanding of human events, Ordeal By Hunger can be called the first “Whole Earth” book.

Ordeal By Hunger opens with the suggestion that a reader should:  “Imagine himself…raised in space some hundreds of miles above a spot near the center of the state of Nevada, ” then describes the scene so accurately that photographs from space precisely match Stewart’s  text.  It is the first precise, accurate description of Earth from low Earth orbit in popular literature.  And the first description of the Astronaut’s view, here used for geographic understanding.

Near the end of the history, Stewart writes, “I have in the telling often stressed the scene until the reader has, I hope, come to feel the land itself as one of the chief characters of the tale.”Stewart has realized – and educated his readers about – the influence of the ecosystem on human affairs.

The world is not merely a stage; it is a chief character in any human drama.

To understand Earth and its human inhabitants, Stewart suggests, we need to observe this world from space, and from within the ecosystem.

An important part of such research is education.  The public is interested in both the ecosystem and space exploration, they fund much of the research, and so it is to the advantage of the research agencies to share their goals, methods and results.  It is also, of course, to the advantage of the citizens of nation and world, as is all true education.

50 years after the publication of Ordeal By Hunger  and 30 years after a young boy discovered Stewart’s books, an idea took shape.  The seed planted by Stewart began to sprout.  The boy, now a man, had worked with both ecologically-oriented public lands agencies, and space exploration groups.  When he discovered that NASA was tasked to do ecological research from space, Stewart’s vision blossomed out in a new proposal: That the National Park Service – the Rangers – should join with NASA – the Astronauts – to do joint earth system research and education.

The proposal became a program.  Today, NASA and selected national park sites are working together on related research ideas.  NASA uses the sites for “analogue” research – that is, to do research here on Earth in settings analogous to other worlds.  The National Park Service does related and concurrent research in the same units, using the results for better resource management.

In some stellar cases, the two groups work together – for example, during and after the 1988 Yellowstone fire, where NASA used its space and flying laboratory resources to help the park find its fire spots, and then followed up with ground truth research in the park to see how accurately remote sensing data matched ground data.

A real payoff for this partnership is in the gift of knowledge it brings the public.  Education of the public – or, as the Park Service calls it, “interpretation” – can be done much more effectively in the national parks, due to their access, their size, and their huge visitations than NASA can do it in their ten, small centers.  And visitors to the parks come ready to learn.  People who would never take a course in wildlife biology or the geology of glaciers will willingly line up behind a Ranger and walk through wilderness with enthusiasm – and what they learn they, they respect and they retain.  And since most of the nature hike groups are family-based, the members of the family can reinforce each other’s learning after the hike.

Most important, national parks welcome three hundred million visitors each year.  Not all of those, of course, will be visiting parks where NASA does research; but since Yellowstone and Death Valley are NASA-research parks, and since Yellowstone has about four million visitors each year, education about the research can be spread wide among Americans and foreign visitors. (By comparison, all NASA visitor centers combined have fewer annual visitors than Yellowstone.)

Combining NASA and the National Park Service in joint research and education just made sense. The young man presented the idea to appropriate parties, and it was adopted.   Now, several national park sites are involved in the partnership.

One of the leading sites is a national monument in Idaho:  Craters of the Moon.  The site has a long connection with NASA, stretching back to the Apollo program when Apollo moonwalkers trained with geologists in the lunar-like geography of Craters of the Moon.  Geologist (now retired) Doug Owen and Chief Naturalist Ted Stout have nurtured the relationship during the past decade.  More recently, NASA has established a base in the Monument, where it conducts extensive research.  Craters of the Moon National Monument is now the only national park site to be a Space Grant member.

During the total Eclipse of 2017, the two agencies held major public events both within and beyond the Monument – setting several visitation records along the way.   Several of the “campfire” talks were given by NASA scientists:  “Astronauts” working as “Rangers.”  Thousands of people had the flesh-and-blood chance to interact with those scientists, which brought the research to life.  (One young visitor I had the chance to talk with, for example, was inspired to consider a career in astrobiology.)

 

 

P1050784

NASA and the NPS:  Principal Investigator and Researcher for NASA Eclipse balloon experiment at the Craters of the Moon Event.  Craters of the Moon Chief Naturalist Ted Stout and a Craters Volunteer are in the left background.

P1050800

Waiting For Totality

Eclipse 2017

Totality near Craters of the Moon 

***********************

An interesting short video has been posted about the NASA-NPS  partnership at Craters of the Moon, here.

 

 

 

For those interested in a wider focus on the program in several national parks a longer video featuring famed NASA Astrobiologist Dr. Chris McKay is here. Video quality isn’t ideal, but the good Dr. McKay presents the information with wit and clarity.

***********************

George R. Stewart had a vision far ahead of his time.  The view from space was used in several of his books, in Storm and Earth Abides as well as Ordeal By Hunger.  His ecological perspective became so ingrained in his work and thinking that by 1948 he wrote “ I really think of myself, in most of my books, as what might be called an ecologist.   This, decades before “ecologist” became a household word.

His vision, and the masterful way he shares it with readers – so subtly they don’t  realize they’re learning one of the great paradigm shifts in human thinking – planted seeds that influenced many better-known leaders of thought, like Walt Disney, and huge numbers  of the citizenry of Earth.

His work was a foundation for the Environmental Movement; he was John the Baptist to the later work of many artists and scientists.  That work which includes the The Astronaut and The Ranger, a model for exploration and science.

It is another gift of Stewart.

 

2019: EARTH ABIDES ACHIEVES PLATINUM

Ish's Hammer(1)According to Google, both the 70th and hundredth anniversaries are honored with platinum gifts.  Since Earth Abides is closing in on the 70th anniversary of publication, George R. Stewart’s epic work is approaching platinum.

The novel was published on October 7, 1949.  It immediately caught the attention of reviewers for its well-written, epic tale of humans living in a world they no longer dominate.  One later reviewer went so far as to call it “a second work of Genesis.”  With its title from Ecclesiastes, and the old testament rhythm of its language, it is almost biblical in its feeling.

Stewart later insisted he didn’t intend it to be a religious work.  But even he admitted that there was “a certain quality there.”  The language was one reason.  Stewart taught himself Hebrew before he wrote the book.  He wanted to translate portions of the Bible into more-modern English.  He was surely influenced by the style of ancient Hebrew.

The book has had enormous influence.  Stephen King based The Stand on Earth Abides, Grammy-nominated composer Philip Aaberg wrote “Earth Abides,”  Jimi Hendrix was inspired to write “Third Rock From the Sun” by the novel (his favorite book), other authors and scientists honor Stewart’s works.  It is published in either 20 or 27 languages, depending on who you ask.  There is some talk of producing a film version of the novel.

The best essay about the novel was written by James Sallis and published in The Boston Globe.  Like Stewart, Sallis realizes the importance of integrity and beauty in his work, and it’s reflected in his essay.  (Sallis is a distinguished novelist and poet, whose noir novella Drive was filmed by Nicolas Winding Refn.)

The novel has never been out of print –no thanks to its original publisher.  Random House decided to pull the novel in the early 1970s.  Fortunately, Stewart and small fine press publisher Alan Ligda quickly got together and brought out a beautiful copy from Ligda’s Hermes Press.

Hermes EA

The Hermes edition sold well.  Random House quickly realized they’d made a mistake and bought the rights back.

Thanks to Alan Ligda, Earth Abides has been in print for seventy years come next October.  He is a Hero of the novel.  Sadly, he died young, and won’t be able to help celebrate the book’s Platinum Anniversary.  So please take a minute (or more) to say a silent thanks to Alan Ligda while you celebrate the novel.

ligda

And read the novel again.  (You’ll have to do a number of readings to catch up with Steve Williams, the Pilgrim, who doesn’t know how many dozens of times he’s read it.)  As you read, reflect on Stewart’s role in raising our consciousness of the ecosystem.  His wildly popular ecological novels, Storm, Fire, and Earth Abides, and his less-widely read “post-modernist” ecological novel, Sheep Rock, have shaped our thinking.  Like most great creative works of thought, they have more power than all the armies in existence.  That pen (or, in Stewart’s case, pencil) is mightier than the sword.

By the way – if you want to buy a signed first edition,  Morley’s Books in Carson City just happens to have one.  It comes with a custom box to protect the classic.  Only $1600 – about half the price of another on offer at ABE.

EA Morleys