Kaplan and Kehlmann: Carrying the Torch of George R. Stewart Onward, I: Robert Kehlmann

Although George R. Stewart is not as well-known as other authors of his day, there is a distinguished band of people who know, value, and carry on his work.  Other authors, including Stephen King, Larry McMurtry, Christopher Priest, Wallace Stegner, William Least Heat Moon, Kim Stanley Robinson, and others, acknowledge GRS either openly through essays or quietly through references in their work. Walt Disney filmed two of Stewart’s books for the Disney TV show.   Stewart’s millions of fans, of course, keep his books alive; several, like Earth Abides,  are still good sellers.  And there are those who actively memorialize and share Stewart’s work.  Two of these are Robert Kehlmann of the Berkeley Plaque Project and Naturalist Emeritus Alan Kaplan.  This post focuses on Robert Kehlmann.

Raised in Brooklyn, New York, now living in Berkeley, California, Robert Kehlmann is a distinguished glass artist, a “painter with glass.” Initially trained in Literature, Kehlmann began to see paintings as similar to poems in their effects on the viewer; and he decided to produce new works of painterly glass “paintings” that would encourage that response.  He helped found a movement taking artistic glass from its traditional use in architecture to a more painterly use, in which glass becomes the “paint” of an artist’s work.  Kehlmann’s work is found in many collections, including the Oakland Museum, the Smithsonian American Art Museum, the Corning Museum of Glass, New York’s Museum of Arts and Design, and others.

Kehlmann is active in historic preservation in Berkeley.  Former Director of the Landmark’s Preservation Commission in Berkeley, Kehlmann founded the Berkeley Historical Plaque Project in 1997.  On its elegantly designed site, the Plaque Project lists Berkeley historic sites and people with physical or online plaques.  One of those honored by Kehlmann’s project, byan ePlaque,  is  George R. Stewart.

(Also honored with an ePlaque is Wilder Bentley the Elder, and his family.   Bentley, an exceptional poet and printer, was a regular visitor at the former Thornton State Beach in the days Stewart and his family visited.  The Bentleys’ Archive Press published the first book of Ansel Adams’ photographs – a work which led to the establishment of Kings Canyon National Park.)

Kehlmann is one of several fine partners we work with in this tiny but determined project to honor the work of George R. Stewart and educate others about Stewart’s work.  He joins Bill Oudegeest of the Donner Summit Historical Society, who spearheaded the George R. Stewart Interpretive Plaque on Historic US 40 at Donner Summit, Phil and Patty Aaberg at Sweetgrass Music, who published Phil’s Earth Abides sheet music, Baiba Strads and the others of the Bancroft Library, and the select group of people who’ve dug into their pockets to fund or develop these works:  Steve Williams, Doug Raybeck, Junlin Pan, Joyce Colbath-Stewart, Dee and Barney Barney, Bob Lyon,  Beth Lapachet, Brian Byrne, Ross and Charlene Bogert, John and Angela Lucia, Willie Stewart, Paul F. Starrs.

And Alan Kaplan, subject of the next post.

Eastend, Saskatchewan, Wallace Stegner, and George R. Stewart – a Reprise.

On this fine spring day in Carson City, Nevada, memories of Eastend, Saskatchewan, and its connection with George R. Stewart have burst out like the blossoming flowers visible from the window of this writer’s current roost.  That’s probably because I first saw Eastend as the snows of winter gave way to the flowers of spring, visible outside the window of the Wallace Stegner Boyhood Home.  So I reviewed the earlier post about Eastend and Stewart.  It’s been revised, upgraded and renewed.

Eastend is, in and of itself, worth a trip to Canada.  If you’re heading to visit Canada’s prairies or the Rockies, a side-trip to the town should be on your itinerary.  If you’re going to Idaho or nearby to see the August Total Eclipse, head a few hundred miles north to visit Eastend.  It will be a highlight of your trip.

The updated post follows.

About 16 years ago, quite by accident, I wandered into Eastend, Saskatchewan.  The tiny farm town in Saskatchewan’s southwest didn’t seem of much interest — until I noticed the T-Rex Laboratory in the middle of town.  Intrigued, I visited the lab, where  paleontologists were hard at work preparing the fossil bones of the most massive T-Rex ever discovered.

Eastend was apparently more than it seemed at first look, so I began to walk around the town.

In two blocks I realized the “accidental” visit was a classic Jungian  synchronicity.  A sign on the main street  pointed toward a modest home on a quiet street near the Frenchman River was “Wallace Stegner’s Boyhood Home.”   Stegner, who spent his boyhood years here,  was profoundly influenced by George R. Stewart.  Stegner wrote a fine essay about Stewart,  included in Stegner’s  WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.   In the George Rippey Stewart Papers at the Bancroft Library (See link in the header of this page) there are several wonderful letters from “Wally” Stegner to Stewart; in the Stegner Papers at the University of Utah, there are replies from Stewart.

Later, researching a chapter on the friendship between Stewart and Stegner, I found the website for the Boyhood Home (now a Canadian Heritage site). Restored by the hard work of local people, the house had become a residence for writers and artists.  They accepted my application; so I had the rare honor of living in Stegner House for several weeks over three visits.  And the pleasure of getting the chance to know Eastend and its wonderful people.  Some, like Charlie Goulet, are now gone; but I know if I drove into town tomorrow I’d soon run into Ken and Ethel Wills, Dick and Clora Banford, Tim and Jacquie Tokaryk,   the Websters, and the others who have helped bring that community back into vibrant life.  It’s now home to one of the finest small enlightenments in the world today.  Good cheeseburgers at Charlie’s Lunch, good meals at Jack’s, several b&b’s;  and a new T-Rex Discovery Centre that would do justice to the Smithsonian, and that interdisciplinary marriage of art and science – STEAM – that characterize Enlightenments or Renaissances.

It was an inspiring place to work on the biography.  And, as things turned out, it was the place — in the living room of the Stegner House — where I found the key to the George R. Stewart biography.

The other highlight was being honored with a presentation of a Saskatchewan supporters of the arts pin, by Lieutenant Governor Lynda Haverstock.

Visit Eastend.   And give it some time.  Good campground, adequate motels, not far from a CAA approved motel in Shaunavon if you prefer a “larger” town.

With the Stegner House, the T-Rex Discovery Centre, a fine pottery, and other art locations, Eastend is a highly recommended place to visit.  Also recommended is Stegner’s book about Eastend, Wolf Willow, and his collection of essays described above, WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.  The collection of essays, which includes the essay about George R. Stewart,  begins with his memories of Eastend.