GRS Supporter Michael Ward’s Wonderful Projects and Pages

Stewart fans owe Michael Ward a great deal.  He volunteered to create and post the George R. Stewart web pages, at his own expense.  The pages contain an excellent repository of information and links about Stewart and his work.  This blog reports the news about GRS; Mike’s pages are the best overview of basic information for Stewart.

We owe publication of the Stewart biography to Mike, as well.  Science fiction author G.D. Nordley, a fellow participant in the annual CONTACT conference,  suggested I contact Mike and his fellow organizers of the speculative fiction conference, Potlatch, to offer to participate on a panel about their Book of Honor that year, I jumped at the chance:  the book was Stewart’s Earth Abides. Mike, the panel organizer Tom Becker, and the others, graciously welcomed me to the program, and the panel.

One of the vendors there recommended submitting my book proposal to McFarland for consideration.  Agent Sally van Haitsma did so, and McFarland agreed to publish the book.

So it can be said that Mike Ward, his associates, G.D. Nordley, and Sally van Haitsma brought the GRS biography to life.

Now Mike keeps the GRS pages alive for our common interest.  Many of those who visit this weblog are directed here by Mike’s website, so he does a fine job of spreading the word about Stewart.

Mike has his own websites, and projects, and they are interesting and in at least one case wonderful research resources.

He has a site, Hidden Knowledge,  for the works of several authors, among those books the great adventure stories of Rafael Sabatini. Sabatini knew how to write a good tale.  Like C.S. Forester, Sabatini’s books are about the sea in the 18th century.  But Sabatini wrote pirate stories.  Like Forester, Sabatini’s work was filmed Captain Blood and and  The Sea-Hawk wonderful swashbucklers starring Errol Flynn, are probably the best-known.

(Please note that the links to buy the books no longer work.  So simply browse the site to learn more about Sabatini’s books, and the others Mike lists.)

Another of Mike’s sites is devoted to the art of magazine covers.  MagazineArt.org has more than 15,000 examples of cover art and magazine ads on the site – a virtual Smithsonian for the wonderful art of those printed wonders that enriched the lives of Americans and others before television or film or radio – and after, as well.

He has sites devoted to historic travels and travelers.  TravelHistory.org,  and another for the Trans-Siberian Railroad.  The many articles on the travel history page make for fascinating reading, allowing you to be an armchair traveler in the days of the web.

His pages link to other sites, about Burton Holmes, Rafael Sabatini, and George R. Stewart.

Thanks again to Mike Ward, whose GRS pages were the first major web presence for those of us who are fans of Stewart’s work.  Mike’s GRS pages bring others to this weblog.

His other pages are worth a browse.

A Letter worthy of Thanksgiving

The attached text is from the comments section, but I wanted to highlight here.  It came this morning, quite by surprise.  Like the comments by other distinguished authors including Christopher Priest and James Sallis, it reminded me why I slog along this path of the honoring of George R. Stewart and his great novel, Earth Abides.

My original intention was to edit the message.  But it is so integrated that it shall stand as sent.  The only change  is to add links to Terence Green and his work.

Just finished your biography of George R. Stewart. Enjoyed it immensely — a very fine book. Like all good biographies, it gives a sense of the times and the place as well as the individual — especially the UC Berkeley milieu of that era. (In short, I learned a lot.)

I’m a Canadian writer and teacher, born in 1947, currently in my 12th year of teaching creative writing at Western University in London, Ontario, Canada (this London is a city of some 300,000, 2 hours south-west of Toronto). Before that, I spent 30 years teaching high school English, primarily in Toronto. I’m also the author of 8 books [That’s a review of one] (7 novels and a collection of short stories).

I bought and read the Ace paperback of EARTH ABIDES back in the early 60s (62? 63?) as a high-school teenager, and was duly impressed… So impressed, I might add, that I still have that particular 50-cent edition (more than 50 years now) on a bookshelf here in my office — an old favorite, and probably a collector’s item of sorts. I rank it with A CANTICLE FOR LEIBOWITZ — also never out of print — as transcending any genre, moving people, and opening eyes — touching the mind and the heart, as the best literature does.

When I spotted the trade paperback edition published by Del Rey about a decade ago, I bought it and re-read it. I was impressed once again. It more than held up. And just recently, I read it for the 3rd time, still moved and impressed — enough to search the internet for more information on Stewart. This is how I found and ordered your book.

I just wanted you to hear yet another story of how far-reaching his work has been, and by extension, how far-reaching your own appreciation has been.

Many thanks for the scholarship (and work) involved in spreading the word. I like to think there’s a potential, significant, continuous groundswell for the book, and that it will indeed abide long into the future, like Ish’s hammer. And you’ve helped.

Thanks to Terence Green, and to all those who understand the greatness of George R. Stewart and Earth Abides; and who take the trouble to let others in the “Fellowship of the Hammer” know their feelings.

George R. Stewart, Predictor of 7-20-1969

George R. Stewart opened Ordeal By Hunger, in 1936, with a look at northern Nevada from a 200 mile high orbit – and described the scene so perfectly that when Astronaut Ed Lu, of ISS Expedition Seven, photographed it,  Stewart’s words and Lu’s photos matched precisely. In Storm, Stewart ended the book with a view from Venus, in which his imagined watcher from that world saw no sign of storms disturbing our world. In both these books, Stewart – perhaps not realizing it, or perhaps realizing it, was preparing for that great event that took place 47 years ago today:  the First Step on another world.

Working for NASA, and working with Star Trek artists,  I’ve been honored with some exceptional gifts that memorialize that great day.  I’ll celebrate by contemplating a wonderful gift given by Mike Okuda and another gift from NASA education days.

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Saturn 5 by Mike Okuda

 

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Space flown Apollo 25th Anniversary flag, courtesy NASA. (Signatures collected later.)

Take a moment, if you will, to honor those heroes, and all those who supported them, and the artists who inspire us to follow that dream.  Artists like Mike Okuda, Rick Sternbach, Doug Drexler,  Chesley Bonestell, David Hardy, and so many others, who fire our imaginations to design and build ships to explore other worlds.  And literary artists like George R. Stewart, who prepared us wonderfully for that First Step.

By the way, NASA has restored the entire 3+hours that Armstrong and Aldrin spent on the moon on Apollo Day I.   You can see it or download it here:

A New George R. Stewart e-Plaque at the Berkeley Plaque Project

 

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The Berkeley Historical Plaque Project is dedicated to placing plaques at, or about, historic sites in Berkeley.  Many of the plaques are physical, beautifully designed and placed at the locations interpreted.  Others are posted at the Plaque Project’s website, as e-Plaques.  The e-plaques allow people not in Berkeley to see the plaques, and learn about those being interpreted – a world wide version of the physical plaques, available to all.  The e-Plaques also allow an honoring of sites and people for far less than the $1000 cost of the physical plaques.

George R. Stewart has now been honored with an ePlaque.  With the permission of GRS Family Photo Collection Keeper Anna Evenson, the writing talents of Steven Finacom and company, and the leadership of Robert Kehlman, the plaque is now online at the link above. The Plaque gives a good overview of Stewart, his family, his life, and his work. It links to other honorings like the brilliant James Sallis essay on Earth Abides.  (Sallis is a poet and author, the writer of the novella DRIVE which was made into an excellent movie.)

The Plaque also links to a radio script, written by Stewart’s colleague, Berkeley author “Anthony Boucher.” “Boucher,”  nom de plume of William Anthony Parker White, created a series, The Casebook of Gregory Hood, which ran in the late 1940s.  One episode, The Ghost Town Mortuary, “starred” George R. Stewart. Follow the link at the bottom of the plaque to read part of that script.   (Some of the Gregory Hood episodes are online; unfortunately, The Ghost Town Mortuary is not.)

Eventually, it may be possible to put a physical plaque on what might be called “Ish’s House,”  the house on “San Lupo Drive” which was the Stewart home when Earth Abides was written, and Ish’s home in the novel. But that will need to wait until the time when there is funding available for it.  Until then – and after – this is a fine piece of work, to be enjoyed by people in many places around the globe – and beyond, if someone on the International Space Station is a Stewart fan.

Will EARTH ABIDES be filmed?

Earth Abides, George R. Stewart’s great classic – in 20 languages now, and never out of print in 77 years –  thanks to Alan Ligda, who published the book for a few years through his Hermes Press when the Trade publisher dropped it and thus kept it in print until the Trade publisher realized its mistake  – is long overdue for film treatment.

 

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ALAN LIGDA, Publishing Hero

In the old days of movie-making, before computers and computer graphics, it would have been nearly impossible to film.  But today, when The Martian can re-create a believable long-distance shot of the Martian surface with a few layers of computer graphics, the post-apocalyptic Earth of Stewart’s novel would be easy to re-create.

Today long films based on several linked novels – think Lord of the Rings – make it possible to film long and complex books like Earth Abides.  EA, with its three sections (each in fact a novella) and its shorter interchapters between the three, could be filmed in a three part or five part version.

And Stewart’s Greek Chorus of observations, the beautiful bits of poetic prose set in italics which filter through the text,  would work as well with a viewing audience as they do with a readership, to help them see Stewart’s overview of events.

So it is with great interest I hear rumors of a plan to film Earth Abides as a mini-series.  A mini-series, it seems to me, is not as worthy of the book as a film or films would be; but remember that Lord of the Rings went through several anemic visualizations before Jackson made his mighty epic. So an Earth Abides mini-series would be a start; and if properly done, a fine start. It would certainly expand the fan base; and in so doing, eventually lead to an audience for a feature film or films.

IMDB has announced the mini-series plan.  There’s no detail about the series, but the public IMDB pages let us know it’s being considered.

Without giving away any secrets, I can confirm that another source has indicated the truth of the project.  No more details than are on the IMDB page, but one small slight confirmation of the interest by filmmakers, and their first steps to make it so.

Stay tuned.

 

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CONTACT: a STEAM event

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Once again, the biennial CONTACT Conference is on the horizon.  Scheduled for next April 1 -3, it will be, as always, a small gathering of renown scientists, artists, authors, educators and just plain interested folks, who want to consider those meeting places of science and the arts which define and drive change.  It will be powered by the energy of STEAM, since it has presenters from and talks about  science, engineering, technology, art, and math.  There will be filmmakers, authors, NASA and SETI scientists, educators, and others.

One of the highlights will be a panel on the art and science of Star Trek; another will be a keynote speech by Rick Sternbach, legendary Star Trek artist, who designed, among other things large and small, the DS 9 Space Station.

The conference has a George R. Stewart connection.  Stewart was the writer of STEAM works, using the art of literature to interpret science and the other disciplines in the acronym.  CONTACT also offered a George R. Stewart Symposium in past years, with participation by composer Phillip Aaberg, geologist Dr. John Stewart, JPL’s Dr. James D. Burke, Stewart Scholar Robert Lyon, and others.  Perhaps most important, Earth Abides opened an intellectual door, for me, into the world of real science, and STEAM.

The conference is affordable, and the hotel rate low.  So if you want a chance to be uplifted and inspired, in a laid-back and collegial atmosphere in which all are welcome, come join us at CONTACT.

CONTACT 2016 (our 29th year!) is meeting on April 1-3 at the Domain Hotel in Sunnyvale, CA. The Keynote speaker: Artist Rick Sternbach, well known for his designs and tech manuals for Star Trek, whose presence celebrates the 50th anniversary of the famed science fiction series. There will be a special symposium dealing with Star Trek’s legacy in the sciences and the arts.

CONTACT has evolved into a premier forum on the future. After a quarter century of our multi-disciplinary conferences, CONTACT includes some of the brightest of the new generation at NASA and SETI, scientists hard and soft, and as well as such exotics as anthropologists, philosophers, poets, filmmakers, historians, mathematicians and space lawyers. And the science fiction community (Larry Niven and Kim Stanley Robinson, this year) always adds a brand of innovative and responsible speculation that has made our conference and organization unique. And more fun for all.  Everyone’s a participant!

We will be offering our traditional blatantly diverse program, with a SETI panel and a session highlighting the connections between science and science fiction. The program will be continuously updated on our website. Join Penny Boston, William Clancey, Bruce Damer, Gus Frederick, Jim Funaro, Joel Hagen, Jeroen Lapré, David Morrison, Larry Niven, Gerald Nordley, Jim Pass, Doug Raybeck, Kim Stanley Robinson, Seth Shostak, Michael Sims, Rich Sternbach, Melanie Swan, Kathleen Toerpe, Zac Zimmer and others at CONTACT 2016.  Looking forward to working and playing together…

 You can register now at:  http://contact-conference.org/

Christopher Priest and George R. Stewart

The last few weeks have brought some interesting comments and communications from several places.  A student in Germany who’s doing a dissertation on science fiction and GRS, an academician who wants to translate one of GRS’s books into an Asian language, a professor in Philadelphia who sent his students’ reviews of Earth Abides, and the Keeper of one of the Disney blogs (THE Disney Blog, in fact), asking to mention the posting about GRS and Disney.  But the most interesting of all popped in just a few days ago – Christopher Priest, sending a link to his article about the influence George R. Stewart had on his work.

I knew Priest’s name, but went to the web to find more detail.

Christopher Priest is a distinguished, award-winning author of complex, literary science fiction written with a light touch.  One of his novels, The Prestige, was made into a film  by Christopher Nolan.  (The ending of the film differs from that of the book,  and seems to weaken the effect Priest so skilfully created in the novel.) Priest’s other novels get excellent ratings from readers and critics.  Here‘s a list.

Priest’s comment to the EA/GRS weblog was short, a link to a review of another author’s book.   “Standing On Shoulders” refers to Newton’s comment that he was merely standing on the shoulders of the great minds who preceded him.  In his case, Priest writes that he stands on the shoulders of filmmaker Ingmar Bergman and George R. Stewart.

As a young man, Priest saw four of Bergman’s films in two weeks – “Sawdust and Tinsel”, “Summer With Monika”, “Wild Strawberries”, and “The Seventh Seal” — and, he writes, the films transformed him.  Having seen three of those four myself, and at about the same age, I second his statements about their power.  (Years later, when I taught Film as Art in high school in San Francisco, I showed “The Seventh Seal”.  The students were so affected that they did not stir when the film – and the period – ended.  It was several minutes before anyone got up to leave, in complete silence, with none of the typical high school bantering back and forth as they left.)

At about the same time, Priest discovered Earth Abides; and, thus, George R. Stewart.  I”ll not go into detail here – read his article if you will – but I’ll say that in our brief conversations since his first comment to the web logwe’ve had some interesting talk about GRS and his brilliance.

Priest and I also had an interesting back-and-forth about the definition of “science fiction.”  Stewart’s best novels are all, in the purest sense, science fiction – that is, fiction based on and about solid science. But few readers would see Storm or Fire as conventional science fiction. Only Earth Abides qualifies.  Does that mean we need to come up with a new term to describe the type of fiction which is set in the future, or a parallel universe, or on an alien world?  Priest has proposed “visionary realism,” an excellent term but not yet popular with fans of the literature.  Maybe one of the readers of this post will have an idea?

If you’re on this page as a Stewart reader, I  strongly encourage you to pick up one of Christopher Priest ‘s novels. (I’m ordering a couple on payday.)  If you’re here as a Christopher Priest reader, welcome – and I suggest you read Earth Abides.

I also suggest GRS’s  Sheep Rock.  That novel has some of rich complexity and layers of truth which are the hallmarks of Christopher Field’s work.

It was a pleasure to learn that Christopher Priest found this weblog interesting, and I’m honored that he’s joined this conversation.   The circle of George R. Stewart is growing; and in the best sense of the STEAM movement, connecting art and science.  A small interdisciplinary fellowship of GRS followers is building, and that’s a good thing.