October, 2020 – A Stewartian lunch, and a new printing of Earth Abides

 A package arrived last week carrying copies of the new printing of Earth Abides, with its splendid “Introduction” by Kim Stanley Robinson.  Even if you have a copy of EA, this very affordable printing is worth buying for Robinson’s Introduction to the novel. (Buy from the non-profit Bookshop.org and a percentage of the sales will go to support independent bookstores.) 

 I consider the cover of this printing one of the three best EA covers. (And there have been many covers)

The original cover, by H. Lawrence Hoffman,  is a fine piece of art depicting a ruined city after the fall – a city which looks to be San Francisco. 

But as wonderful as Hoffman’s cover is, images of ruined cities speak of loss.   My other favorites, which include the one on this new printing’s cover, focus on the Hammer of Ish — a powerful symbol of rebuilding, and thus hope.  One of them is the cover of this new printing, with the Hammer centered over what appears to be a view of Earth from above the clouds.  That overview encourages readers to keep a Whole Earth in mind as they read the gripping, encouraging story set during a pandemic not unlike the one Stewart describes. 

My third favorite is by Alan Ligda, a hero of Earth Abides. 

When Random House decided to stop publishing the book, Ligda acquired the rights from Stewart.  His edition is  a beautiful work printed by Hermes Press, his family’s small fine quality press.   

 Ligda centered the Hammer of Ish on the cover,  juxtaposed over an open book.   The cover makes an important point:  LIke the Hammer, books are tools — for such as Stewart, Ligda, and all writers and readers.  

(Sadly, as heroes often do, Alan Ligda died young.)

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My order of the new  Earth Abides was shipped on the publication date. October 13.   On October 14th, by coincidence (or Jungian synchronicity?) I shared lunch and conversation about things Stewartian with Ed, George and Ted  (Theodosia) Stewart’s grandson and the current keeper of the family rights. We hadn’t seen each other since his grandmother’s memorial service, about 30 years ago, so we spent some time catching up.Then we turned to matters of the GRS Legacy that he manages.  No need to go into great detail, but thanks to his request for advice about book contracts and followup suggestions from my agent, Sally van Haitsma, it looks as if Ed and the Legacy are about to get an excellent agent.  (The agent’s in Berkeley where most of Earth Abides takes place. He once managed a legendary bookstore, Cody’s.   And he’s looking for clients.) The agent is also familiar with film options and contracts.  Since there’s now  interest in filming another of GRS’s other books should be a marriage made in heaven (as they say)..

All-in-all, the middle of October 2020 has been a milestone time for the Legacy of George R. Stewart, and Earth Abides.

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It’s been  6 decades since a kind, wise librarian walked into the stacks, pulled out a book, and said “Here.  I think you’ll like this book.”  The trail from there has been like that of Wendell Berry’s Jayber Crow:  winding, up and down and back and forth, often through the dense fogs of life.  But the winding path has always been  lit by the lessons George R. Stewart teaches in Earth Abides.   Learning that Kim Stanley Robinson generously mentioned the GRS biography in his Introduction to the new printing of EA, brings this life arc almost full circle –  from reading the book as a 12-year old to finding myself in the book.  It is a pleasant summiting.  Lunch with Ed while we chewed over things Stewartian were gifts of the summiting, after that decades-long wandering saunter. 

Seeing Ish’s Hammer beautifully displayed on the book’s cover makes my spirit sing.  During those many years, the Hammer of Ish has been an encouraging (if symbolic) companion.  Like a lantern or a grail, it has been a life-gift.  As has Earth Abides. 

Ish’s Hammer

….By gifted artist, schoolmate of Lennon and McCartney, and playing an important role in the story of George R. Stewart and Earth Abides, Steve Williams (AKA The Pilgrim). 

Want to buy a print of the painting?  Here’s Steve’s  website; contact information is near the bottom:

saa.co.uk/art/stevewilliamsart

 

 

 

Of Fires and FIRE

A reading of David J. Strohmaier’s The Seasons of Fire , and reflections on the massive fires of 2018 have encouraged this post about Stewart’s Fire. Now, in the season between the fires, there’s time to share some information about George R. Stewart’s pioneering and thrilling ecological novel.

George R. Stewart’s second ecological novel was about fire.  Stewart’s normal method of writing was to create something new with each work.  He didn’t want to repeat himself.  So he regularly created new types of literary works with each new book – between his first ecological novel, Storm, and the first-ever “autobiography” of  humankind, Man, he wrote the first and only history of national place-naming, Names on the Land.  (That link takes you to a fine in-depth review of NOTL by Christine Smallwood, which also includes a mini-review of Fire.)

When Stewart’s publisher and agent and the reading public begged for another novel like Storm, he resisted the call.   When the Book-of-the-Month club weighed in, promising huge sales, he finally agreed to write it.  But to make it creative, unique, challenging, and more interesting, he set the novel in a fictional National Forest rather than real locations like the ones he’d used for Storm.  His fictional forest, the Ponderosa National Forest, located adjacent to the Tahoe NF on the north side, was as accurate as any real national forest because his son Jack (later become the USGS “Man” for Nevada) helped him create the terrain and the maps.  Naming features of that imaginary landscape and giving it a history was easy – he’d just finished his book about place-naming, was already an expert on the naming of Sierra features, and knew the Ponderosa NF’s history would be very similar to the other national forests of the central Sierra.

He named features for people he knew and respected; so Jack had a creek named for him, as did Stewart’s English Department colleague Jim Hart and many others.   His final stroke of genius was the creation of a topographic model of the fictional forest – painted by his colleague David Park whose works can now sell for over a million dollars.   (The model is safely stored in one of the Bancroft Library’s secure storage facilities.)

Christine Smallwood’s mini-review of Fire in her larger review of Names On The Land includes a good quote showing Stewart’s prolific use of names in the novel, which I’ll borrow here to give an idea of Stewarts’ poetic style in the book:

Humbug Point saw the blow-up, and Lovers Leap. Horse Mountain reported, and signed off, quoting Joel 2:30–“and in the earth, blood, and fire, and pillars of smoke.” Far to the north, Sheer Rock saw it suddenly above the high shoulder of Howell Mountain. Hamlin Point saw it build up above the round top of Cerro Gordo, like the towering smoke of a new-born volcano.

(The names are those of fire lookout towers,  which GRS uses here to “name” the fire spotters in the towers.)

When all was said and done, Stewart’s careful “design” of his national forest, helped by Jack Stewart and David Park, was so real that for years travellers would hunt for the forest during trips to the Central Sierra, and were always disappointed to discover it was fictional.   (Interestingly,  the fictional forest and the fictional fire’s location would be close to the area of the massive Camp Fire that destroyed Paradise last fall.)

Once GRS had the setting and the characters down, he wove his story.  The novel uses the same exceptional – interesting, educational, and (as Christine Smallwood puts it) thrilling mixture of action and information –   used in Storm.  Stewart glissades smoothly from a god-like overview of history, fire science, fire ecology, wildlife biology, myth, geography, and the like, to the dramatic experiences of several human characters in several places – including one of the fire towers – during the huge blaze.

The novel opens with that god-like view, of the High Sierra and its western foothills, as lightening suddenly flashes down onto the tinder-dry duff of the forest.  It ends with a similar perspective, but this time in one one of the most beautiful statements of the cycle of fire ecology ever written, as the heat of the fire opens the serotinous cones and their seeds drop onto the newly-ash-fertilized earth of the burned areas.

Ecology is the novel’s major theme, as it is in his other ecological novels, Storm, Earth Abides, and Sheep Rock.  One of the most memorable scenes  in Fire is between the old Ranger who loves the beauty of the forest, heartbroken when “the glen” is burned into ash,  and the new, young, college-educated Forest Ranger Supervisor.  The old Ranger is saddened by the burnt wreckage of his special place of re-creation.  But the Forest Supervisor tells him that beauty depends on your ecological view of things.  To a  rabbit scrub brush would likely be far more beautiful than the glen.   It’s a wonderful, gentle pioneering statement of the ecological view in which humans are only one small part of a vast ecosystem.  The old Ranger isn’t convinced; he’s lost his beloved glen.  But Stewart has made his point about the need to see such things through an ecological sense.

The novel has its share of sad and tragic passages, like the description of the Camp Fire of its day, Peshtigo, far deadlier in that time before good forest management.  Yet GRS does not dwell on the gruesome, but simply offers it as a part of the story of fire.

As usual, GRS did extraordinary research before he even picked up one of his tray of sharpened pencils and write.  His office at UC Berkeley was adjacent to the University Library and the Bancroft Library, so he could dig deep into the literature of fire.  His colleagues in the natural sciences and geography were a great help in the details of the work.

But in the best GRS tradition, he did not write the book from other books and quiet conversations.  He had himself appointed as a “Collaborator” for the US Forest Service, and headed out to help fight some major forest fires.  Stewart was so involved in that potentially deadly research that the Forest Service lost track of him and got quite worried.  But he’d simply slipped away into the depths of the fire-fighting.   He did almost lose his life once.  Walking down a muddy trail he spied a burning snag just beyond and above him.  He decided he could outrun it and jumped across a pool of water between him and the danger.  But he slipped and fell face-down in the water.  Which was a good thing – the snag fell just as he jumped; it would have hit him if he’d not slipped.

The book became a best-seller and Book-of-the-Month Club selection.  It was filmed twice – once, in a hatchet job by Paramount as Red Skies in Montana, which ignored GRS’s ecological message. And once, for television by Stewart’s great fan Walt Disney, as A Fire Called Jeremiah.  The Disney film had some Disneyfication, but is much closer to the ecological view of Stewart’s novel.

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We read about the deadly fires of our time, or watch their smoke, and mourn the loss of those killed by them.  Perhaps we lift a glass of Sierra Nevada’s Resilience Ale, that great act of kindness from Sierra Nevada Brewing, who created it, and 1400 other breweries around the world, who, like Sierra Nevada Brewing, are donating all profits to the victims of the Camp Fire.

A suggestion:

While you’re sipping that good ale, or some other result of ζύμωσις+ἔργον – zymurgy or the science of brewing beer – to quench the fires of your thirst,

Read – or re-read – Fire, by George R. Stewart.

 

 

 

 

Will Earth Abides Be Filmed? (II) (Waiting With Bated Breath, II)

This is a short update of a post from some time ago, about the possible filming of George R. Stewart’s Earth Abides.

Since the earlier post reporting on possible filming of the novel, information has surfaced about the team interested in filming Earth Abides.  Two of the principles in the production company won Academy Awards; one was involved in the excellent (and similarly hard to film) Close Encounters of the Third Kind, and has a strong interest in filming science fiction classics.

The  team plans to do the film as a mini-series.  That’s a good idea, since the highly-competitive premium channels are interested in such stories – consider The Handmaiden’s Tale and HBO’s From the Earth to the Moon — and are always looking for projects to film.  A mini-series would be an ideal way to  bring the novel to the screen.

The project is still “under development.”  That can mean a search for funding, or the talent to turn GRS’s book into a successful film.  Development can take a long time – it took years for a successful version of Lord Of The Rings to be produced.

In the case of Stewart’s fine novel, any potential producer will need to work hard to convince the money men that the film can turn a profit.

Earth Abides would be a difficult work to transition to the screen.  Much of it is somewhat philosophical, or technical.  In a way that is distinctly different from current films, violence and sex are low-key and “off screen.”  There are no major battles or graphic sex scenes or gun fights.  To add such scenes would change the special nature of the book.

(The danger of a bad film translation can be found in Stewart’s own experience.   Stewart’s Fire was filmed twice.  The Disney TV version keeps the ecological focus of the novel.  The other version, by Paramount, was changed to emphasize sex and violence, and ignored the ecological focus.  It became Red Skies of Montana,  and a good example of how NOT to translate a novel to the screen.)

Ø Ø Ø

The news about the team is encouraging.  But there’s still no word about the actual filming.  So we continue to wait with bated breath.

 

George R. Stewart and a Centennial Celebration in the Donner Country

Although George R. Stewart was still in graduate school when the Pioneer Monument was dedicated at Donner Lake Memorial State Park, and just beginning his career when Donner Lake Memorial State Park was established, he would become the leading historian and novelist for the area.

Stewart was a professor of English at the University of California, Berkeley.  He was  interested in the geography, history, and field exploration of California and the West.  When a new Head of the English Department took a disliking to Stewart, and denied him his deserved promotion, Stewart decided to write in a field which interested him, Western history, and would bring him extra income to help support his growing family.  As he said, “What did I have to lose?”  So he would NOT write arcane books about punctuation in Elizabethan English or some such.  Instead he wrote the best history of the Donner Party ever published:  Ordeal By Hunger.

Stewart went whole-hog in the research and writing of the book.  He bought a cabin (partly for his family) at Dutch Flat, invited his colleagues from UC’s  history, geography, and art departments to visit, then hiked much of the Donner Trail with the others, using them as on-site references.   (They found – or may have found – one of the most important campfires along the trail.)  He earned sweat-equity knowledge about the great effort required by the Donners to cross deserts, face the Sierra, and endure the storms.   He also studied the books –  like the original diaries of the Donner party members, especially Patrick Breen’s moving pages (now online, here).

The most important result of the field research was Stewart’s great epiphany:  “the land is a character in the work.”  That is to say, it was the Donners’ ignorance of the ecosystems they passed through that caused their great tragedy.

Thus, Ordeal By Hunger can be considered the first ecologically-based history.

Although Stewart did not influence the establishment of the Pioneer Monument or the establishment of Donner Memorial State Park, the success of Ordeal By Hunger  inspired readers to visit the park.

The Pioneer Monument itself, and the park, are gifts in large part from one of the most important fraternal organizations in California:  The Native Sons of the Golden West.  The Native Sons, who are organized into lodges called parlors, do a massive amount of charitable work.  One of their charities is a fund to help the healing of those with cleft-palate; the other is the support of California history through the acquisition, protection, and memorializing of events of the Gold Rush and similar milestones.  (The term “The Golden State” comes from the first historic plaque they placed .)  The NSGW built the Monument, and donated it and the land on which it sits, to be the foundation of Donner Memorial State Park.  It was only one of many such gifts from the Native Sons  – others include Sutter’s Fort and the Petaluma Adobe.

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The re-dedication of the Pioneer Monument on its Centennial was worth the trip – especially since it included the chance to drive Historic U.S. 40 over Donner Summit to (finally!) see and photograph the George R. Stewart Peak Interpretive Plaque on the Summit. (Placed with the help of another fine organization, the Donner Summit Historical Society.)

At Donner Lake, The weather was cold, the wind intense, and the noise of wind and Interstate 80 drowned out most of the re-dedication speeches.  But there was a chance to speak with some of the local history people and view the NSGW booth.  A highlight was meeting some of the descendants of the Donner Party, history brought to life.

One of the Visitor Center people, when asked which of the several Donner Party histories to buy, said the park usually didn’t recommend Ordeal By Hunger.  He also said it was far and away the largest seller.  That, of course, is what counts, especially since Stewart’s book is still the best history of the Donner Party.

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A century after the Native Sons of the Golden West donated money to create the Pioneer Monument and 82 years after the publication of Ordeal By Hunger the Centennial re-dedication of the Monument reminds us to re-read Stewart’s book; and, as time and weather permit, to travel to Donner Summit on U.S. 40; and Donner Lake which sits below George R. Stewart Peak. There, one can reflect on the land, the Donners, and those who memorialized them – like the Native Sons of the Golden West and George R. Stewart.

 

 

 

 

The Scholar in the Kingdom of the Mouse, II: The Ben Sharpsteen Museum

You might think scholarship is boring.  Dull as dirt.  Best reserved for those in the monastery or the ivory tower.

You’d be wrong.

Scholarship is an adventure, a  treasure-hunt.  And the quest brings surprising and unexpected discoveries.   Researching the George R. Stewart biography, for example, I discovered that famous writers like Stephen King and Wallace Stegner and William Least Heat Moon, musician and composer Philip Aaberg, scientist Dr. James D. Burke of JPL, and Jimi Hendrix were influenced by Stewart’s works.

Walt Disney was also a great fan of Stewart.  He even hired Stewart to work at the studio as a consultant.  Stewart discussed ideas with various studio personnel; then submitted a report about the potential for American folklore films, and educational films.   Stewart’s recommendations went to Ben Sharpsteen, legendary Disney producer and director.

In preparing materials for donation to the George R. Stewart Collection at the University of Nevada, Reno, I happened upon a copy of Stewart’s report to Sharpsteen.  The copy came from the Walt Disney Archives (Stewart’s copy is in the George R. Stewart Papers at the Bancroft Library).  That discovery inspired a wander through Wikipedia and Google to find what was available online about Ben Sharpsteen.  Sites recorded his extensive contributions to Disney, where he began as an animator, became a Director (Pinocchio, Dumbo), and eventually produced True-Life Adventure documentaries – work which earned Sharpsteen and the studio multiple Oscars.

And there, among the Google listings, was a golden Sharpsteen nugget:  he and his wife, Bernice, had founded a museum, in Calistoga, California, at the base of Mt. St. Helena.

The Ben Sharpsteen Museum preserves and interprets several chapters of California history, with emphasis on the pioneer days and Sharpsteen’s work for Disney.  Trip Advisor gives it a 4.5 rating.

The museum includes the home of Sam Brannan, who started the Gold Rush when he rushed through the streets of San Francisco waving a bottle filled with gold, yelling, “Gold, boys, Gold!  From the American River!”  (Brannan was a businessman – he started the Gold Rush so he could profit from selling supplies to 49ers.)  The Brannan cottage contains exhibits and artifacts from the pioneer era in California, including some from the Donner Party, and a massive diorama of the Hot Springs Resort that Brannan founded in Calistoga.  (The resort was supposed to be named the “Saratoga of California,” they say, but Brannan’s consumption of the celebratory champagne at the resort’s dedication befuddled his tongue and he toasted “The Calistoga of Sarifonia!” and Calistoga it is.)

The Sharpsteen Museum includes a Robert Louis Stevenson exhibit.  Stevenson and his wife, Fanny, visited the area on their honeymoon; and Stevenson used local geography and history in the writing of Treasure Island.

And so we circle back to George R. Stewart, who explored the area in 1919-20  researching his Master’s Thesis on Stevenson and Treasure Island.  Stewart had been fascinated with Stevenson’s novel since he discovered it as a boy in the family attic in Indiana, Pennsylvania.  Stevenson’s use of maps in the book became a foundation of Stewart’s later work.

Stevenson  once wrote “It is my contention—my superstition, if you like—that he who is faithful to his map, and consults it, and draws from it his inspiration, daily and hourly, gains positive support…. The tale has a root there: it grows in that soil; it has a spine of its own behind the words….As he studies [the map], relations will appear that he had not thought upon.”  Stewart’s ecological novels and histories, like Stevenson’s Treasure Island, would be based on maps.

Stevenson once admitted the scenery in Treasure Island was based partly on California locations.  Inspired by that comment, Stewart set out to discover what areas or history were foundational to the novel. He explored the area around Mt. St. Helena, including Calistoga (and with his passionate interest in the Westward Movement, which led to books like Ordeal By Hunger, it is certain he visited the Sam Brannan Cottage.)

Stewart’s field research in the Calistoga and Mt. St. Helens area, his interviews with pioneers who remembered the Stevensons, and his geographic explorations gave him the answer:  Flat-topped Spyglass Hill was based on flat-topped Mt. St. Helena.  The Stevensons’  honeymoon spot, an abandoned mine on St. Helena – the Old Juan Silverado Mine – gave readers the name of one of the great characters in literature, “Long John Silver.”  There is a collection of photographs in the George R. Stewart Papers related to his Stevenson research; some may be from his 1919 reseach trip.  (Stewart also met and interviewed Stevenson relatives during his 1921 bicycle trip through Europe – three elderly cousins in Edinburgh who remembered RLS as a boy; and Lord Balfour in England.  Davey Balfour, the hero of Kidnapped, was based on a real RLS relative.)

Later, Stewart would write his discovery about Treasure Island into Storm – the first ecological novel and the book from which we get the practice of naming storms.  Each chapter ends with a “litany” of landforms or places.  Here is the beginning of the litany of the coastal peaks:

“This is the roll-call of those chief summits rising against the first in-sweep of the storm from the ocean.  Mt. Sanhedrin.  Mt. Kinocti that watches above the lake.  Sulphur Peak on whose slopes the geysers fume and spout.  Then flat-topped St. Helena, named for a Russian princess, transmuted in romance to Spy-Glass Hill.  …”  [emphasis added]

Disney, who produced what is perhaps the best film version of Treasure Island, would also film Stewart’s Storm for the Disney TV show.

So the circle continues:  Stewart discovers where Spyglass Hill is located, explores Calistoga along the way (and certainly the Brannan Cottage).  Later, Walt Disney hires Stewart as a consultant, and he sends his recommendations to Ben Sharpsteen – who eventually turns the Sam Brannan Cottage into a museum, interpreting some of the same history as Stewart – that of the Donner Party, Robert Louis Stevenson, and Disney.

(It’s a personal circle, too.  Our family friends, the Broughtons, had a Disney connection.  Bob Broughton was in charge of the multiplane camera, the camera department, special effects.  The multiplane camera crew included the first employees in the new Burbank studio, working on Pinocchio.  Bob worked closely with Ben Sharpsteen on the complicated 6-level shots. Eventually, Bob, like Ben Sharpsteen,  became a Disney Legend.)

Inspired, I called the Ben Sharpsteen Museum.  Two members of the Board of the Directors, Kathy Bazzoli and Pat Larsen, answered by speakerphone.  It was a pleasure to talk with them – they’re knowledgeable and enthusiastic.  Kathy followed up with an email that referenced a book for sale in their bookstore, Dutton’s “They Left Their Mark,” which mentions Stewart’s research.

If you’re a Disney fan (and who isn’t?) or a Robert Louis Stevenson fan (and who isn’t?) or a George R. Stewart fan (and there are millions of those), I encourage a visit to the Sharpsteen Museum…and to Robert Louis Stevenson State Park, on the slopes of Mt. St. Helena.  The Sharpsteen Museum is certainly at the top of my travel list.

 

 

Page Stegner Has Passed Away

 

Page Stegner, who knew the Stewarts, was a distinguished and award-winning author with literary interests similar to those of George R. Stewart.  Page wrote about the environment and the West,  books which have become classics, like  American Places, which also included the work of legendary photographer Elliot Porter and Page’s father Wallace Stegner.  He passed away just before Christmas of 2017, in the quintessenial Western town, Reno, about 30 miles away from where this is being written, in Carson City, in the middle of a “March Miracle” of a heavy snowstorm.

Page Stegner wrote fiction and non-fiction, reviewed books for leading magazines, edited some of his father’s work.  He also helped run the Peace Corps in Latin America for a time, took his students on river-runs in the west, and played bluegrass.   Like Stewart, he was a true polymath.

He was also a great help in the writing of the George R. Stewart biography.  When his father was fired at Stanford, the two families often visited each other.  Jack Stewart remembered driving from Berkeley to Palo Alto down the rural two-lane highways of the day (the 1940s and 1950s), to the Stegner hamburger barbeques.  Jack attended Stanford, sometimes visiting the Stegners while he was there.  I wrote his memories into the biography.

Page Stegner was kind enough to answer emailed questions about family visits to the Stewarts in Berkeley.  He gave a good sense of those more formal days, when children of academics did not necessarily eat at the same table with parents and thus did not feel themselves a part of the adult world.

During the research for the George R. Stewart biography, we were able to arrange a reunion between Jack Stewart and Page Stegner.  The original photograph was included in the biography.

Dr. John H. (Jack) Stewart  and  Page Stegner reunion at Kepler’s Books in Menlo Park

Jack and Page suffered from the same fate – children in the long shadows cast by famous fathers.  Yet, Jack and Page were as accomplished as their fathers – Page through his writing, teaching, and other creative work;  Jack through his brilliant work as the USGS geologist for Nevada, and as the creative geologist assistant to his father on the writing of some of GRS’s novels.

Here’s an Amazon link to the books which Page Stegner wrote, co-wrote, wrote the introductions for, or edited:

It was an honor to know Page Stegner.  I  recommend his books; American Places is one of the best books about this land.

Wolf Willow, for which Page wrote the “Introduction,” has a special meaning to me.  The book, by Wallace Stegner, is about his boyhood in the town of Eastend, Saskatchewan, which he calls “Whitemud” in the book.   Page and other members of the Stegner family were instrumental in helping the town of Eastend, the Province of Saskatchewan, and the nation of Canada, preserve the Stegner House as a Canadian Heritage Site.  The Eastend Arts Council manages the house as both a Memorial and a residence for writers and artists.  I was fortunate to be one of those selected to work there, I researching and writing the Stegner chapters in the book.  Including the climactic chapter, where, during a major prairie thunderstorm, I found the truth of George R. Stewart’s life and work.

Grateful for Page’s help with the book, I am as grateful for his work on the Stegner House program.