Eastend, Saskatchewan, Wallace Stegner, and George R. Stewart – a Reprise.

On this fine spring day in Carson City, Nevada, memories of Eastend, Saskatchewan, and its connection with George R. Stewart have burst out like the blossoming flowers visible from the window of this writer’s current roost.  That’s probably because I first saw Eastend as the snows of winter gave way to the flowers of spring, visible outside the window of the Wallace Stegner Boyhood Home.  So I reviewed the earlier post about Eastend and Stewart.  It’s been revised, upgraded and renewed.

Eastend is, in and of itself, worth a trip to Canada.  If you’re heading to visit Canada’s prairies or the Rockies, a side-trip to the town should be on your itinerary.  If you’re going to Idaho or nearby to see the August Total Eclipse, head a few hundred miles north to visit Eastend.  It will be a highlight of your trip.

The updated post follows.

About 16 years ago, quite by accident, I wandered into Eastend, Saskatchewan.  The tiny farm town in Saskatchewan’s southwest didn’t seem of much interest — until I noticed the T-Rex Laboratory in the middle of town.  Intrigued, I visited the lab, where  paleontologists were hard at work preparing the fossil bones of the most massive T-Rex ever discovered.

Eastend was apparently more than it seemed at first look, so I began to walk around the town.

In two blocks I realized the “accidental” visit was a classic Jungian  synchronicity.  A sign on the main street  pointed toward a modest home on a quiet street near the Frenchman River was “Wallace Stegner’s Boyhood Home.”   Stegner, who spent his boyhood years here,  was profoundly influenced by George R. Stewart.  Stegner wrote a fine essay about Stewart,  included in Stegner’s  WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.   In the George Rippey Stewart Papers at the Bancroft Library (See link in the header of this page) there are several wonderful letters from “Wally” Stegner to Stewart; in the Stegner Papers at the University of Utah, there are replies from Stewart.

Later, researching a chapter on the friendship between Stewart and Stegner, I found the website for the Boyhood Home (now a Canadian Heritage site). Restored by the hard work of local people, the house had become a residence for writers and artists.  They accepted my application; so I had the rare honor of living in Stegner House for several weeks over three visits.  And the pleasure of getting the chance to know Eastend and its wonderful people.  Some, like Charlie Goulet, are now gone; but I know if I drove into town tomorrow I’d soon run into Ken and Ethel Wills, Dick and Clora Banford, Tim and Jacquie Tokaryk,   the Websters, and the others who have helped bring that community back into vibrant life.  It’s now home to one of the finest small enlightenments in the world today.  Good cheeseburgers at Charlie’s Lunch, good meals at Jack’s, several b&b’s;  and a new T-Rex Discovery Centre that would do justice to the Smithsonian, and that interdisciplinary marriage of art and science – STEAM – that characterize Enlightenments or Renaissances.

It was an inspiring place to work on the biography.  And, as things turned out, it was the place — in the living room of the Stegner House — where I found the key to the George R. Stewart biography.

The other highlight was being honored with a presentation of a Saskatchewan supporters of the arts pin, by Lieutenant Governor Lynda Haverstock.

Visit Eastend.   And give it some time.  Good campground, adequate motels, not far from a CAA approved motel in Shaunavon if you prefer a “larger” town.

With the Stegner House, the T-Rex Discovery Centre, a fine pottery, and other art locations, Eastend is a highly recommended place to visit.  Also recommended is Stegner’s book about Eastend, Wolf Willow, and his collection of essays described above, WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS.  The collection of essays, which includes the essay about George R. Stewart,  begins with his memories of Eastend.

Another Honor For GRS: George R. Stewart in “Stewart Heritage”

Two distinguished British authors, Henry Fothringham, OBE, and Charles Kinder Bradbury,  have just released their beautiful coffee table book, Stewart Heritage.  The book devotes a page to each of several dozen famous and influential Stewarts.  One of the Stewarts they profile is our focus in these pages:  George R. Stewart.

This is the third recent work honoring Stewart and his work.  There was an essay in the literary magazine of the Chicago Tribune, “George R. Stewart: Unrestrained by literary borders,” the several pages devoted to Stewart’s Storm in  Snowbound,  Mark McLaughlin’s just-released book about the largest storms recorded in the Sierra Nevada, the fine interpretive sign at Donner Summit so ably designed and place by Bill Oudegeest of the Donner Summit Historical Society (followed by several articles in the Society’s magazine), the Berkeley ePlaque edited and published by Robert Kehlmann and his stalwart colleagues; and now this fine one-page essay which succinctly summarizes Stewart’s life and work.

Although I can’t reproduce the entire GRS page from Stewart Heritage for reasons of copyright, I can post a portion here to give readers the chance to see the quality of the book and the George R. Stewart entry.

grs-in-stewart-bk-copy2

There is clearly a continuing interest in George R. Stewart and his work.   The new, reduced price on the GRS biography and the planned mini-series of Earth Abides will increase that interest.

This weblog is not designed as a marketing tool.  But when something  exceptional  related to George R. Stewart comes along, I’ll always share it with you.  If you are a Stewart, or know a Stewart, or a passionate fan of George R. Stewart and his work, you might consider Stewart Heritage (which I understand was printed in a limited edition).

Post Script.  Having had the chance to review the book in more depth, I find it rich in history across disciplines, across borders, even across racial lines.  There are entries which sweep the Earth from Panamint City near Trona, California – founded by stage robbers who discovered silver there – to Brittany (“Little Britain”) and a tussle there between Satan and Saint George over Mont St. Michel – to Hollywood and James Stewart – and on and on.  Disciplines include science and engineering – the authors have expertise in chemistry and metallurgy – painting, music, film, sport, military accomplishments, academia, politics, law – think Justice Potter Stewart – and, of course, writing.  It is a fascinating read.

George R. Stewart’s STORM in a new book about storms

One of the best rewards for writing the George R. Stewart biography and creating this weblog is the community of Stewart people  who follow it.  At the last count, there are followers in roughly 60 countries.  This week, we’ve had visitors from the UK, France, Morocco, India, and the US.

Some of those visitors leave comments, and I can begin to put a face on those people.  A few, like Christopher Priest, are well-known, most simply Stewart aficionados .  But all of the comments are interesting, and all of the visitors who comment enrich this work.

At times, one of the visitors will point out some new GRS treasure.  Ross Wilson Bogert, for example, who has become a good friend, brought the Wilson family into our dialogue – Stewart’s mother was a Wilson –  and donated an exceptional 1929 film of Stewart and his parents at the Wilson house in Southern California.

One theme that comes from reading the thoughts of others is the current rediscovery of George R. Stewart’s remarkable work.  Although GRS seems not to be widely-known to  the mainstream publishing/literary establishment,  articles are being written about him, there are new reviews of his books and his work, and his ideas are being included in others’ work.  One example is the one being discussed today, thanks to Joe Livak.

Joe sent a comment last week about a new book which examines Stewart’s STORM from new points of view.  The book, SNOWBOUND, by Mark McLaughlin, is available on McLaughlin’s website.  Joe heard Mark speak about the book in Reno.

McLaughlin, who studied cultural geography at the University of Nevada, Reno, is a prolific author and frequent public speaker on topics relating to the history of the Lake Tahoe region.  He’s published hundreds of articles and several books, and regularly presents talks at various local groups, to high praise.

McLaughlin’s new book describes the ten greatest storms to hit the central Sierra Nevada.  On pages 58 to 60 McLaughlin takes a close look at Stewart’s STORM, digging into real events which he believes were likely inspirations for Stewart’s ground-breaking novel.  McLaughlin also describes a couple of other storm-related tragedies, which had military connections but which Stewart does not include, speculating that he did so to respect the privacy of the families of the victims and also to protect military secrets.  McLaughlin fleshes out his GRS pages with images of the front pages of local papers describing the events.

My only small disagreement with his book is the idea that Stewart has been forgotten –  that’s only true for the “establishment” mentioned earlier.  Earth Abides, in particular, never out of print, is in 20 languages and is now slated to become a mini-series.  It enjoys healthy sales to this day.  Other GRS books are honored by other authors, like William Least Heat Moon, who devotes one section of Roads to Quoz to Stewart’s U.S. 40U.S. 40 is also honored by Larry McMurtry in Roads.   And the mother’s Fourth of July speech in Ivan Doig’s English Creek was inspired by Stewart’s Names On The Land.

Slowly, GRS is returning to the attention of the public, and books like McLaughlin’s are a major step in that new awareness.  Hopefully, the “establishment” will soon have a re-awakening of interest in the work of George R. Stewart.

Thanks to Joe Livak for pointing us to McLaughlin and his work.

For more information about Mark McLaughlin and this book, click the image below.

mark-mcl-book

 

Earth Abides to Be Filmed?

(Another repost, so it’ll get to the FB page.)

Earth Abides, George R. Stewart’s great classic – in 20 languages now, and never out of print in 77 years –  thanks to Alan Ligda, who published the book for a few years through his Hermes Press when the Trade publisher dropped it and thus kept it in print until the Trade publisher realized its mistake  – is long overdue for film treatment.

 

ligda

ALAN LIGDA, Publishing Hero

In the old days of movie-making, before computers and computer graphics, it would have been nearly impossible to film.  But today, when The Martian can re-create a believable long-distance shot of the Martian surface with a few layers of computer graphics, the post-apocalyptic Earth of Stewart’s novel would be easy to re-create.

Today long films based on several linked novels – think Lord of the Rings – make it possible to film long and complex books like Earth Abides.  EA, with its three sections (each in fact a novella) and its shorter interchapters between the three, could be filmed in a three part or five part version.

And Stewart’s Greek Chorus of observations, the beautiful bits of poetic prose set in italics which filter through the text,  would work as well with a viewing audience as they do with a readership, to help them see Stewart’s overview of events.

So it is with great interest I hear rumors of a plan to film Earth Abides as a mini-series.  A mini-series, it seems to me, is not as worthy of the book as a film or films would be; but remember that Lord of the Rings went through several anemic visualizations before Jackson made his mighty epic. So an Earth Abides mini-series would be a start; and if properly done, a fine start. It would certainly expand the fan base; and in so doing, eventually lead to an audience for a feature film or films.

IMDB has announced the mini-series plan.  There’s no detail about the series, but the public IMDB pages let us know it’s being considered.

Without giving away any secrets, I can confirm that another source has indicated the truth of the project.  No more details than are on the IMDB page, but one small slight confirmation of the interest by filmmakers, and their first steps to make it so.

Stay tuned.

 

ea-cover-copy1.jpg

Will EARTH ABIDES be filmed?

Earth Abides, George R. Stewart’s great classic – in 20 languages now, and never out of print in 77 years –  thanks to Alan Ligda, who published the book for a few years through his Hermes Press when the Trade publisher dropped it and thus kept it in print until the Trade publisher realized its mistake  – is long overdue for film treatment.

 

ligda

ALAN LIGDA, Publishing Hero

In the old days of movie-making, before computers and computer graphics, it would have been nearly impossible to film.  But today, when The Martian can re-create a believable long-distance shot of the Martian surface with a few layers of computer graphics, the post-apocalyptic Earth of Stewart’s novel would be easy to re-create.

Today long films based on several linked novels – think Lord of the Rings – make it possible to film long and complex books like Earth Abides.  EA, with its three sections (each in fact a novella) and its shorter interchapters between the three, could be filmed in a three part or five part version.

And Stewart’s Greek Chorus of observations, the beautiful bits of poetic prose set in italics which filter through the text,  would work as well with a viewing audience as they do with a readership, to help them see Stewart’s overview of events.

So it is with great interest I hear rumors of a plan to film Earth Abides as a mini-series.  A mini-series, it seems to me, is not as worthy of the book as a film or films would be; but remember that Lord of the Rings went through several anemic visualizations before Jackson made his mighty epic. So an Earth Abides mini-series would be a start; and if properly done, a fine start. It would certainly expand the fan base; and in so doing, eventually lead to an audience for a feature film or films.

IMDB has announced the mini-series plan.  There’s no detail about the series, but the public IMDB pages let us know it’s being considered.

Without giving away any secrets, I can confirm that another source has indicated the truth of the project.  No more details than are on the IMDB page, but one small slight confirmation of the interest by filmmakers, and their first steps to make it so.

Stay tuned.

 

ea-cover-copy1.jpg

 

CONTACT: a STEAM event

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Once again, the biennial CONTACT Conference is on the horizon.  Scheduled for next April 1 -3, it will be, as always, a small gathering of renown scientists, artists, authors, educators and just plain interested folks, who want to consider those meeting places of science and the arts which define and drive change.  It will be powered by the energy of STEAM, since it has presenters from and talks about  science, engineering, technology, art, and math.  There will be filmmakers, authors, NASA and SETI scientists, educators, and others.

One of the highlights will be a panel on the art and science of Star Trek; another will be a keynote speech by Rick Sternbach, legendary Star Trek artist, who designed, among other things large and small, the DS 9 Space Station.

The conference has a George R. Stewart connection.  Stewart was the writer of STEAM works, using the art of literature to interpret science and the other disciplines in the acronym.  CONTACT also offered a George R. Stewart Symposium in past years, with participation by composer Phillip Aaberg, geologist Dr. John Stewart, JPL’s Dr. James D. Burke, Stewart Scholar Robert Lyon, and others.  Perhaps most important, Earth Abides opened an intellectual door, for me, into the world of real science, and STEAM.

The conference is affordable, and the hotel rate low.  So if you want a chance to be uplifted and inspired, in a laid-back and collegial atmosphere in which all are welcome, come join us at CONTACT.

CONTACT 2016 (our 29th year!) is meeting on April 1-3 at the Domain Hotel in Sunnyvale, CA. The Keynote speaker: Artist Rick Sternbach, well known for his designs and tech manuals for Star Trek, whose presence celebrates the 50th anniversary of the famed science fiction series. There will be a special symposium dealing with Star Trek’s legacy in the sciences and the arts.

CONTACT has evolved into a premier forum on the future. After a quarter century of our multi-disciplinary conferences, CONTACT includes some of the brightest of the new generation at NASA and SETI, scientists hard and soft, and as well as such exotics as anthropologists, philosophers, poets, filmmakers, historians, mathematicians and space lawyers. And the science fiction community (Larry Niven and Kim Stanley Robinson, this year) always adds a brand of innovative and responsible speculation that has made our conference and organization unique. And more fun for all.  Everyone’s a participant!

We will be offering our traditional blatantly diverse program, with a SETI panel and a session highlighting the connections between science and science fiction. The program will be continuously updated on our website. Join Penny Boston, William Clancey, Bruce Damer, Gus Frederick, Jim Funaro, Joel Hagen, Jeroen Lapré, David Morrison, Larry Niven, Gerald Nordley, Jim Pass, Doug Raybeck, Kim Stanley Robinson, Seth Shostak, Michael Sims, Rich Sternbach, Melanie Swan, Kathleen Toerpe, Zac Zimmer and others at CONTACT 2016.  Looking forward to working and playing together…

 You can register now at:  http://contact-conference.org/