Although George R. Stewart is not as well-known as other authors of his day, there is a distinguished band of people who know, value, and carry on his work. Other authors, including Stephen King, Larry McMurtry, Christopher Priest, Wallace Stegner, William Least Heat Moon, Kim Stanley Robinson, and others, acknowledge GRS either openly through essays or quietly through references in their work. Walt Disney filmed two of Stewart’s books for the Disney TV show. Stewart’s millions of fans, of course, keep his books alive; several, like Earth Abides, are still good sellers. And there are those who actively memorialize and share Stewart’s work. Two of these are Robert Kehlmann of the Berkeley Plaque Project and Naturalist Emeritus Alan Kaplan. This post focuses on Robert Kehlmann.
Raised in Brooklyn, New York, now living in Berkeley, California, Robert Kehlmann is a distinguished glass artist, a “painter with glass.” Initially trained in Literature, Kehlmann began to see paintings as similar to poems in their effects on the viewer; and he decided to produce new works of painterly glass “paintings” that would encourage that response. He helped found a movement taking artistic glass from its traditional use in architecture to a more painterly use, in which glass becomes the “paint” of an artist’s work. Kehlmann’s work is found in many collections, including the Oakland Museum, the Smithsonian American Art Museum, the Corning Museum of Glass, New York’s Museum of Arts and Design, and others.
Kehlmann is active in historic preservation in Berkeley. Former Director of the Landmark’s Preservation Commission in Berkeley, Kehlmann founded the Berkeley Historical Plaque Project in 1997. On its elegantly designed site, the Plaque Project lists Berkeley historic sites and people with physical or online plaques. One of those honored by Kehlmann’s project, byan ePlaque, is George R. Stewart.
(Also honored with an ePlaque is Wilder Bentley the Elder, and his family. Bentley, an exceptional poet and printer, was a regular visitor at the former Thornton State Beach in the days Stewart and his family visited. The Bentleys’ Archive Press published the first book of Ansel Adams’ photographs – a work which led to the establishment of Kings Canyon National Park.)
Kehlmann is one of several fine partners we work with in this tiny but determined project to honor the work of George R. Stewart and educate others about Stewart’s work. He joins Bill Oudegeest of the Donner Summit Historical Society, who spearheaded the George R. Stewart Interpretive Plaque on Historic US 40 at Donner Summit, Phil and Patty Aaberg at Sweetgrass Music, who published Phil’s Earth Abides sheet music, Baiba Strads and the others of the Bancroft Library, and the select group of people who’ve dug into their pockets to fund or develop these works: Steve Williams, Doug Raybeck, Junlin Pan, Joyce Colbath-Stewart, Dee and Barney Barney, Bob Lyon, Beth Lapachet, Brian Byrne, Ross and Charlene Bogert, John and Angela Lucia, Willie Stewart, Paul F. Starrs.
And Alan Kaplan, subject of the next post.