October, 2020 – A Stewartian lunch, and a new printing of Earth Abides

 A package arrived last week carrying copies of the new printing of Earth Abides, with its splendid “Introduction” by Kim Stanley Robinson.  Even if you have a copy of EA, this very affordable printing is worth buying for Robinson’s Introduction to the novel. (Buy from the non-profit Bookshop.org and a percentage of the sales will go to support independent bookstores.) 

 I consider the cover of this printing one of the three best EA covers. (And there have been many covers)

The original cover, by H. Lawrence Hoffman,  is a fine piece of art depicting a ruined city after the fall – a city which looks to be San Francisco.  EA Morleys

But as wonderful as Hoffman’s cover is, images of ruined cities speak of loss.   My other favorites, which include the one on this new printing’s cover, focus on the Hammer of Ish — a powerful symbol of rebuilding, and thus hope.  One of them is the cover of this new printing, with the Hammer centered over what appears to be a view of Earth from above the clouds.  That overview encourages readers to keep a Whole Earth in mind as they read the gripping, encouraging story set during a pandemic not unlike the one Stewart describes. 

91PMvVHUlgL._AC_UY218_ML3_My third favorite is by Alan Ligda, a hero of Earth Abides. 

When Random House decided to stop publishing the book, Ligda acquired the rights from Stewart.  His edition is  a beautiful work printed by Hermes Press, his family’s small fine quality press.   

 Ligda centered the Hammer of Ish on the cover,  juxtaposed over an open book.   The cover makes an important point:  LIke the Hammer, books are tools — for such as Stewart, Ligda, and all writers and readers.  

(Sadly, as heroes often do, Alan Ligda died young.)

Hermes EA

Ø Ø Ø

My order of the new  Earth Abides was shipped on the publication date. October 13.   On October 14th, by coincidence (or Jungian synchronicity?) I shared lunch and conversation about things Stewartian with Ed, George and Ted  (Theodosia) Stewart’s grandson and the current keeper of the family rights. We hadn’t seen each other since his grandmother’s memorial service, about 30 years ago, so we spent some time catching up.Then we turned to matters of the GRS Legacy that he manages.  No need to go into great detail, but thanks to his request for advice about book contracts and followup suggestions from my agent, Sally van Haitsma, it looks as if Ed and the Legacy are about to get an excellent agent.  (The agent’s in Berkeley where most of Earth Abides takes place. He once managed a legendary bookstore, Cody’s.   And he’s looking for clients.) The agent is also familiar with film options and contracts.  Since there’s now  interest in filming another of GRS’s other books should be a marriage made in heaven (as they say)..

All-in-all, the middle of October 2020 has been a milestone time for the Legacy of George R. Stewart, and Earth Abides.

Ø Ø Ø

It’s been  6 decades since a kind, wise librarian walked into the stacks, pulled out a book, and said “Here.  I think you’ll like this book.”  The trail from there has been like that of Wendell Berry’s Jayber Crow:  winding, up and down and back and forth, often through the dense fogs of life.  But the winding path has always been  lit by the lessons George R. Stewart teaches in Earth Abides.   Learning that Kim Stanley Robinson generously mentioned the GRS biography in his Introduction to the new printing of EA, brings this life arc almost full circle –  from reading the book as a 12-year old to finding myself in the book.  It is a pleasant summiting.  Lunch with Ed while we chewed over things Stewartian were gifts of the summiting, after that decades-long wandering saunter. 

Seeing Ish’s Hammer beautifully displayed on the book’s cover makes my spirit sing.  During those many years, the Hammer of Ish has been an encouraging (if symbolic) companion.  Like a lantern or a grail, it has been a life-gift.  As has Earth Abides

Ish's Hammer(1)

Ish’s Hammer

….By gifted artist, schoolmate of Lennon and McCartney, and playing an important role in the story of George R. Stewart and Earth Abides, Steve Williams (AKA The Pilgrim). 

Want to buy a print of the painting?  Here’s Steve’s  website; contact information is near the bottom:

 
 
 

Wilder Bentley – The Younger and The Elder

Wilder Mayo Bentley — Wilder Bentley the Younger — passed away in the fall of 2018, and an era ended.

Wilder Bentley the Younger was the scion of a distinguished but largely unknown Bay Area family.  His Great-Grandfather Robert Bentley was a distinguished, progressive Methodist minister who eventually became the Presiding Minister of the largest Methodist District in California, the Sacramento District.  He and his family lived in a simple, elegant Dutch-style cottage in the Berkeley Hills —  one of the few to survive the 1923 Berkeley Fire.  His sons Charles and Robert founded a fruit canning company which became one foundation of the Del Monte brand.

Charles’s son, Harvey Wilder Bentley – Wilder Bentley the Elder – was a poet, a distinguished printer and graphic artist, and a professor of English at San Francisco State.  He was also a painter, well-taught by his old friend and colleague, Chiura Obata.  Always interested in fine printing, Wilder the Elder and his wife founded the Archive Press in Berkeley, now memorialized online by the Berkeley ePlaque Project.  The Bentleys printed the first book of Ansel Adams photographs, Sierra Nevada: The John Muir Trail in the late 1930’s.  (You can buy one from the Bentleys’ limited edition of 500 copies here – if you have $8565.  Even the later reprints go for several hundred dollars.) (Copies of the book were sent to Washington to encourage the protection of the Sierra at the southern end of the Muir Trail.   Secretary of the Interior Harold Ickes lent his copy to FDR – who refused to give it back.  Ickes had to get another copy.  The book resulted in the establishment of Kings Canyon National Park.)  Wilder the Elder’s printed works, including his 26 scroll set The Poetry of Learning, are held at Carnegie-Mellon University in Pittsburgh.  (To see some  works bythe Bentleys Younger and Elder, visit ABE books.  As of this date, The Poetry of Learning is described at the bottom of the list.)

Archive Press cover

Cover of the later reprint, hard-cover version

Like his father, Wilder the Younger was a gifted artist, taught by Chiura Obata.   He was also a writer, art-glass maker, book-maker, poet, historian, and craftsman.  Some of his works are archived in the Bancroft Library of the University of California, Berkeley (which also houses the Mark Twain Papers and the papers of George R. Stewart).  His works are also held at the Rosicrucian Museum, UCLA, and the New York Public Library.  His work is sometimes available for sale, as online listings reveal.

He learned to set type at a very early age, working with his parents.  Later he followed their example, establishing San Francisco’s Bread and Wine Press and publishing several works by local poets including Dick McBride.

Later, Wilder the Younger moved to Sonoma County’s Wheeler Ranch where he and his wife Penny lived for many years.  He continued his creativity, including researching, illustrating, and writing a book about bridges in the Sonoma area.

Bentley bridges full cover

Wilder Bentley the Younger’s Book, “Antique & Unusual Bridges”

Although I never met Wilder the Younger, he played an important role in the creation of the George R. Stewart biography.  I was able to interview him by email and mail.  His emails – and his printed autobiography, a copy of which he kindly sent — filled in important gaps in the chapters on Thornton State Beach (where I met George R. Stewart, and Wilder the Elder and Obata and where Ranger Nick Lee educated me about the importance of the two artists.)

In one of those episodes which seem to validate Carl Jung’s idea that there are no accidents, it was Ranger Nick Lee who sent the news of Wilder the Younger’s passing.   In his letter, Nick included a notice about a retrospective of Wilder the Younger’s work that was being arranged in Sonoma County at the end of March, 2019.  In the years since Thornton Beach and the writing of the GRS biography, I had become friends with Jean and Roger Moss and learned that they knew Wilder the Younger quite well. I called the Mosses to let them know about Wilder’s passing and the retrospective, which Roger attended.

Thornton State Beach, now abandoned by the state parks and the Golden Gate National Recreation Area, played a role in the STEAM history (“Science, Technology, Engineering, Art, and Math) of Northern California.   The Bentleys, Obata, and George R. Stewart, and others of their ilk enriched our days there.  Nick, who was the catalyst for the trail named for GRS, also helped engineer the trail, created beautiful poetry and works of art, wrote articles, and played his part the creation of the GRS bio.

Thanks to our small community at Thornton Beach, and Nick, I had the honor and pleasure to know Wilder the Younger through our mail communications. Like Nick, Wilder Bentley the Younger enriched the book about GRS.   When he left us last fall, a chapter in California history closed.

How lucky we were, all of us,  to work there together, that place in which literature, art, printing, and all the rest of STEAM, were enfolded in a small wilderness near a large city, a park of ‘small compass and unusual value.’

 

The Scholar in the Kingdom of the Mouse, II: The Ben Sharpsteen Museum

You might think scholarship is boring.  Dull as dirt.  Best reserved for those in the monastery or the ivory tower.

You’d be wrong.

Scholarship is an adventure, a  treasure-hunt.  And the quest brings surprising and unexpected discoveries.   Researching the George R. Stewart biography, for example, I discovered that famous writers like Stephen King and Wallace Stegner and William Least Heat Moon, musician and composer Philip Aaberg, scientist Dr. James D. Burke of JPL, and Jimi Hendrix were influenced by Stewart’s works.

Walt Disney was also a great fan of Stewart.  He even hired Stewart to work at the studio as a consultant.  Stewart discussed ideas with various studio personnel; then submitted a report about the potential for American folklore films, and educational films.   Stewart’s recommendations went to Ben Sharpsteen, legendary Disney producer and director.

In preparing materials for donation to the George R. Stewart Collection at the University of Nevada, Reno, I happened upon a copy of Stewart’s report to Sharpsteen.  The copy came from the Walt Disney Archives (Stewart’s copy is in the George R. Stewart Papers at the Bancroft Library).  That discovery inspired a wander through Wikipedia and Google to find what was available online about Ben Sharpsteen.  Sites recorded his extensive contributions to Disney, where he began as an animator, became a Director (Pinocchio, Dumbo), and eventually produced True-Life Adventure documentaries – work which earned Sharpsteen and the studio multiple Oscars.

And there, among the Google listings, was a golden Sharpsteen nugget:  he and his wife, Bernice, had founded a museum, in Calistoga, California, at the base of Mt. St. Helena.

The Ben Sharpsteen Museum preserves and interprets several chapters of California history, with emphasis on the pioneer days and Sharpsteen’s work for Disney.  Trip Advisor gives it a 4.5 rating.

The museum includes the home of Sam Brannan, who started the Gold Rush when he rushed through the streets of San Francisco waving a bottle filled with gold, yelling, “Gold, boys, Gold!  From the American River!”  (Brannan was a businessman – he started the Gold Rush so he could profit from selling supplies to 49ers.)  The Brannan cottage contains exhibits and artifacts from the pioneer era in California, including some from the Donner Party, and a massive diorama of the Hot Springs Resort that Brannan founded in Calistoga.  (The resort was supposed to be named the “Saratoga of California,” they say, but Brannan’s consumption of the celebratory champagne at the resort’s dedication befuddled his tongue and he toasted “The Calistoga of Sarifonia!” and Calistoga it is.)

The Sharpsteen Museum includes a Robert Louis Stevenson exhibit.  Stevenson and his wife, Fanny, visited the area on their honeymoon; and Stevenson used local geography and history in the writing of Treasure Island.

And so we circle back to George R. Stewart, who explored the area in 1919-20  researching his Master’s Thesis on Stevenson and Treasure Island.  Stewart had been fascinated with Stevenson’s novel since he discovered it as a boy in the family attic in Indiana, Pennsylvania.  Stevenson’s use of maps in the book became a foundation of Stewart’s later work.

Treasure-island-map

Stevenson  once wrote “It is my contention—my superstition, if you like—that he who is faithful to his map, and consults it, and draws from it his inspiration, daily and hourly, gains positive support…. The tale has a root there: it grows in that soil; it has a spine of its own behind the words….As he studies [the map], relations will appear that he had not thought upon.”  Stewart’s ecological novels and histories, like Stevenson’s Treasure Island, would be based on maps.

Stevenson once admitted the scenery in Treasure Island was based partly on California locations.  Inspired by that comment, Stewart set out to discover what areas or history were foundational to the novel. He explored the area around Mt. St. Helena, including Calistoga (and with his passionate interest in the Westward Movement, which led to books like Ordeal By Hunger, it is certain he visited the Sam Brannan Cottage.)

Stewart’s field research in the Calistoga and Mt. St. Helens area, his interviews with pioneers who remembered the Stevensons, and his geographic explorations gave him the answer:  Flat-topped Spyglass Hill was based on flat-topped Mt. St. Helena.  The Stevensons’  honeymoon spot, an abandoned mine on St. Helena – the Old Juan Silverado Mine – gave readers the name of one of the great characters in literature, “Long John Silver.”  There is a collection of photographs in the George R. Stewart Papers related to his Stevenson research; some may be from his 1919 reseach trip.  (Stewart also met and interviewed Stevenson relatives during his 1921 bicycle trip through Europe – three elderly cousins in Edinburgh who remembered RLS as a boy; and Lord Balfour in England.  Davey Balfour, the hero of Kidnapped, was based on a real RLS relative.)

Later, Stewart would write his discovery about Treasure Island into Storm – the first ecological novel and the book from which we get the practice of naming storms.  Each chapter ends with a “litany” of landforms or places.  Here is the beginning of the litany of the coastal peaks:

“This is the roll-call of those chief summits rising against the first in-sweep of the storm from the ocean.  Mt. Sanhedrin.  Mt. Kinocti that watches above the lake.  Sulphur Peak on whose slopes the geysers fume and spout.  Then flat-topped St. Helena, named for a Russian princess, transmuted in romance to Spy-Glass Hill.  …”  [emphasis added]

Disney, who produced what is perhaps the best film version of Treasure Island, would also film Stewart’s Storm for the Disney TV show.

So the circle continues:  Stewart discovers where Spyglass Hill is located, explores Calistoga along the way (and certainly the Brannan Cottage).  Later, Walt Disney hires Stewart as a consultant, and he sends his recommendations to Ben Sharpsteen – who eventually turns the Sam Brannan Cottage into a museum, interpreting some of the same history as Stewart – that of the Donner Party, Robert Louis Stevenson, and Disney.

(It’s a personal circle, too.  Our family friends, the Broughtons, had a Disney connection.  Bob Broughton was in charge of the multiplane camera, the camera department, special effects.  The multiplane camera crew included the first employees in the new Burbank studio, working on Pinocchio.  Bob worked closely with Ben Sharpsteen on the complicated 6-level shots. Eventually, Bob, like Ben Sharpsteen,  became a Disney Legend.)

Inspired, I called the Ben Sharpsteen Museum.  Two members of the Board of the Directors, Kathy Bazzoli and Pat Larsen, answered by speakerphone.  It was a pleasure to talk with them – they’re knowledgeable and enthusiastic.  Kathy followed up with an email that referenced a book for sale in their bookstore, Dutton’s “They Left Their Mark,” which mentions Stewart’s research.

If you’re a Disney fan (and who isn’t?) or a Robert Louis Stevenson fan (and who isn’t?) or a George R. Stewart fan (and there are millions of those), I encourage a visit to the Sharpsteen Museum…and to Robert Louis Stevenson State Park, on the slopes of Mt. St. Helena.  The Sharpsteen Museum is certainly at the top of my travel list.

 

 

Page Stegner Has Passed Away

Page - outposts

 

Page Stegner, who knew the Stewarts, was a distinguished and award-winning author with literary interests similar to those of George R. Stewart.  Page wrote about the environment and the West,  books which have become classics, like  American Places, which also included the work of legendary photographer Elliot Porter and Page’s father Wallace Stegner.  He passed away just before Christmas of 2017, in the quintessenial Western town, Reno, about 30 miles away from where this is being written, in Carson City, in the middle of a “March Miracle” of a heavy snowstorm.

Page Stegner wrote fiction and non-fiction, reviewed books for leading magazines, edited some of his father’s work.  He also helped run the Peace Corps in Latin America for a time, took his students on river-runs in the west, and played bluegrass.   Like Stewart, he was a true polymath.

He was also a great help in the writing of the George R. Stewart biography.  When his father was fired at Stanford, the two families often visited each other.  Jack Stewart remembered driving from Berkeley to Palo Alto down the rural two-lane highways of the day (the 1940s and 1950s), to the Stegner hamburger barbeques.  Jack attended Stanford, sometimes visiting the Stegners while he was there.  I wrote his memories into the biography.

Page Stegner was kind enough to answer emailed questions about family visits to the Stewarts in Berkeley.  He gave a good sense of those more formal days, when children of academics did not necessarily eat at the same table with parents and thus did not feel themselves a part of the adult world.

During the research for the George R. Stewart biography, we were able to arrange a reunion between Jack Stewart and Page Stegner.  The original photograph was included in the biography.

Jack and Page

Dr. John H. (Jack) Stewart  and  Page Stegner reunion at Kepler’s Books in Menlo Park

Jack and Page suffered from the same fate – children in the long shadows cast by famous fathers.  Yet, Jack and Page were as accomplished as their fathers – Page through his writing, teaching, and other creative work;  Jack through his brilliant work as the USGS geologist for Nevada, and as the creative geologist assistant to his father on the writing of some of GRS’s novels.

Here’s an Amazon link to the books which Page Stegner wrote, co-wrote, wrote the introductions for, or edited:

It was an honor to know Page Stegner.  I  recommend his books; American Places is one of the best books about this land.

Wolf Willow, for which Page wrote the “Introduction,” has a special meaning to me.  The book, by Wallace Stegner, is about his boyhood in the town of Eastend, Saskatchewan, which he calls “Whitemud” in the book.   Page and other members of the Stegner family were instrumental in helping the town of Eastend, the Province of Saskatchewan, and the nation of Canada, preserve the Stegner House as a Canadian Heritage Site.  The Eastend Arts Council manages the house as both a Memorial and a residence for writers and artists.  I was fortunate to be one of those selected to work there, I researching and writing the Stegner chapters in the book.  Including the climactic chapter, where, during a major prairie thunderstorm, I found the truth of George R. Stewart’s life and work.

Grateful for Page’s help with the book, I am as grateful for his work on the Stegner House program.

 

 

 

 

 

Of FIRE and Flu

George R. Stewart was always interested in how humans react to ecological events, because he saw those reactions as defining human character.   Two of his best novels, FIRE and EARTH ABIDES, focus on such events – FIRE, on a great forest fire (and fire ecology); EARTH ABIDES,on a planet-wide disease epidemic which nearly ends the human species.

This last month California experienced fire, and some Californians had a lesson about disease.  There were massive and destructive fires, and a literary discussion of an epidemic which references Stewart’s EARTH ABIDES.

Build a home in the woods and, sooner or later, fire will come.  Defensible space is a great help; but in suburbia’s tiny lots, there can be none.   The fires of 2017 burned through the house-stacked neighborhoods so quickly that – as in the recent Oakland Hills fire – many people died trying to flee.   Entire neighborhoods were burned to cinders.   And it was lesson about the fragility of stuff – one video shows a classic, restored ’57 Chevy wagon, burned into eternity.

Anyone familiar with George R. Stewart’s work has probably read FIRE.  The novel of fire ecology, history, and fictionalized fire drama is one of his best – it, STORM, and EARTH ABIDES are probably his greatest ecological novels.  STORM ends with a reference to California history.  FIRE, with a beautiful passage about the role of fire in the ecosystem.

FIRE opens with a lightening strike in a mythical national forest set just to the north of the Tahoe National Forest.  Stewart’s forest is so well-developed – thanks to the help of his brilliant son, Jack, map-maker and geologist, and a colleague, a famous impressionist painter — that for years readers of the book would drive into that area, looking for the fictional National Forest.  In the same way, his story is developed.  It centers around people who seemed non-fictional – a young woman in a fire lookout, an old Ranger, and a young Forest Superintendent, and all those who fight the blaze – so the people read true, like the forest, and their drama brings us into the power of a California forest fire like the ones of this autumn of 2017.  By choosing rangers as key characters, Stewart is able to integrate the human drama with ecological science.  And, in his usual way, he also includes myth, broad science, place-naming, and history.

Walt Disney later filmed the novel for television, as “A Fire Called Jeremiah.”  It’s somewhat Disneyfied, but follows the novels ecological and human themes closely. Today, it seems somewhat old-fashioned and crude; but it shared Stewart’s dramatic presentation of fire ecology with millions of Disney TV viewers.

The TV film, like Disney’s TV version of Stewart’s STORM, is not available today.  When I asked old family friend, Disney Legend Bob Broughton, about the chances of getting a copy,  he said, “Don, the film is in The Vault.  And if it’s in The Vault, Walt himself can’t get to it.”  Needing to view the films for my George R. Stewart biography, I went on a quest – and actually found a copy in a university library (which shall be nameless); the university kindly set up their old Bell and Howell 16mm projector, and, after decades, I again saw Stewart’s work come to life.  There’s now a clip online, probably pirated, but you can watch it here.  (Paramount also made a version of the film – changed so much it bears no resemblance to the book. Here’s a clip, again probably pirated, so view at your own discretion.)

Fire appears in several George R. Stewart novels.  In EAST OF THE GIANTS, a cleansing fire provides closure to the chapters of the novel set on a Mexican rancho.  In FIRE, of course, a massive fire is the protagonist of the work.  And in Stewart’s EARTH ABIDES, a fire ends the story of Ish, and moves the story of The Tribe into some unknown, post-novel, new territory.

EARTH ABIDES‘s protagonist is a disease, a kind of super measles which wipes out most humans.  In these days of AIDS, Ebola, and the other plagues, the story has as great an impact on readers as it did in the days it was published or in the intervening near-70 years.

Stewart himself was the victim of a plague – the Spanish Flu Epidemic of 1918.  AIDS is a killer, with 38, 000,000 victims.  But the flu killed many more – perhaps 100,000,000 worldwide.  Stewart should have been safe – he was young, in excellent health, and isolated in World War I training camp where he was preparing to go overseas in the Ambulance Corps.  But the flu, ironically, hit the young and healthy with more fatal force than it hit the elderly or those in poor shape.  GRS got the flu.  He recovered enough to hitchhike halfway home from the East Coast to Pasadena.  But for the rest of his life, his lungs were always weak.

Much of EARTH ABIDES is set in the Berkeley hills and the UC Berkeley campus.  So it is appropriate that Pat Joseph’s fine recent article, “In Flew Enza,” in the California Alumni Association magazine,  CALIFORNIA, describes the effects of the 1918 flu on the UC campus.  Murphy ends the article with a reference to Stewart’s novel, setting it in the context of Stewart’s experience with the flu.  Since Murphy has kindly allowed this post to link to the article, I encourage you all to read it.  Here’s the link

As Murphy writes,  Stewart always found hope, an optimism, even in the greatest of events called disasters by humans.  Whether he wrote about the benefits of fire to the ecosystem, or indomitable will to persevere after disease had wiped out most humans, Stewart always gives us hope.

 

 

 

Carrying the Fire of George R. Stewart. Kaplan and Kehlmann II – The First Publisher

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Born in New York City, and speaking with a distinct accent, Alan Kaplan brought a distinctive character to his work as a Naturalist for the East Bay Regional Parks.  Based in Tilden Regional Park, in the hills behind Berkeley, Alan interpreted the history and natural history of the area through guided hikes, school programs, and the preparation of exhibits for many years, until his retirement. He’s also provided leadership in organizations that provide education in interpretation for his fellow naturalists in the west, through his work in the old Western Interpreters Association.     (Note that “interpreter” in the park sense refers to what used to be called “naturalists” – those  people in distinctive uniforms who interpret the advanced concepts of a park’s cultural and natural history into common English for visitors.)

That’s where I first met him.  There,  he played a foundational role in the publication of the George R. Stewart biography.  He was the First Publisher of my writings about GRS.

In 1986, the WIA conference was held in Yosemite National Park.  I presented a talk, “George R. Stewart:  An Author for Interpreters.”  As the the title implies, Stewart’s histories and ecological novels are excellent resources for those interpreting the natural or human history of the West.

I was pleasantly surprised when Alan, then President of WIA, encouraged conference attendees to attend the GRS session.  And even more pleasantly surprised when the session was crammed full of enthusiastic naturalists and interpreters.

As the session ended, Alan, who was in the audience, rose to second my comments about Stewart’s value for interpreters.  He emphasized the power of Stewart’s writing by quoting the closing lines of FIRE.  Doing so, he even educated me – I knew FIRE well, but had never given the ecological power of its closing such careful attention. (FIRE was so well-researched and written that the U.S. Forest Service used it in their training programs for summer fire lookouts.)

Alan asked for an article for the WIA Newsletter, Bayways.  Entitled “The Man Who Named The Wind,” the article was a written summary of the GRS talk.  It was the first publication, for a large audience, of material which would eventually expand into the McFarland biography.

Alan also interpreted the work of George R. Stewart to Tilden Regional Park visitors.  For many years, on a weekend close to the day in August when Stewart died, Alan led a “George R. Stewart Memorial Hike” to the summit of one of Tilden’s peak .  The hike focused on Stewart’s work, especially his remarkable NAMES ON THE LAND.  The book is not a dictionary of American place names, but a history which explains in beautiful prose WHY we named places a certain way in a certain era.  As Wallace Stegner once wrote about NAMES (here paraphrased) “No one ever wrote a book like this before; no one has written one since.”  Visitors who joined Alan’s hike learned about Stewart, his work, and especially his unique work about place-naming.  (NAMES ON THE LAND has just been translated into Chinese for the millions of citizens of that country who are enamored of American culture.)

Once, friends and I joined Alan on the hike:  George  and Theodosia’s son Jack, Jack’s wife Joyce, and former high school student Denise L. Barney and her husband Barney hiked along; afterward we crammed into the back of the tiny Chinook microcamper with Alan to share some good wine and crackers (Alan abstained!)

As the GRS biography was written, and published, Alan joined public events which described GRS and my work.  Once, to my chagrin, he was at a talk at the Bancroft Library and I did not notice him so did not introduce him; fortunately, when he came up afterward to say hello I was able to give him a well-deserved gift – a first edition of STORM, autographed by GRS, with a rare misprint on one page.

He also shared our GRS dinner at the beautiful, historic  UC Berkeley Faculty Club, sitting next to me, and we were able to talk about shared GRS experiences.

To sum up – Alan Kaplan, Naturalist, played a major role in the work which led to the eventual publication of THE LIFE AND TRUTH OF GEORGE R. STEWART.   He also inspired me to take a second, deeper look at Stewart’s books, especially FIRE.  Stewart, and the GRS biography owe him much.  I am deeply grateful for his encouragement.

GRS Supporter Michael Ward’s Wonderful Projects and Pages

Stewart fans owe Michael Ward a great deal.  He volunteered to create and post the George R. Stewart web pages, at his own expense.  The pages contain an excellent repository of information and links about Stewart and his work.  This blog reports the news about GRS; Mike’s pages are the best overview of basic information for Stewart.

We owe publication of the Stewart biography to Mike, as well.  Science fiction author G.D. Nordley, a fellow participant in the annual CONTACT conference,  suggested I contact Mike and his fellow organizers of the speculative fiction conference, Potlatch, to offer to participate on a panel about their Book of Honor that year, I jumped at the chance:  the book was Stewart’s Earth Abides. Mike, the panel organizer Tom Becker, and the others, graciously welcomed me to the program, and the panel.

One of the vendors there recommended submitting my book proposal to McFarland for consideration.  Agent Sally van Haitsma did so, and McFarland agreed to publish the book.

So it can be said that Mike Ward, his associates, G.D. Nordley, and Sally van Haitsma brought the GRS biography to life.

Now Mike keeps the GRS pages alive for our common interest.  Many of those who visit this weblog are directed here by Mike’s website, so he does a fine job of spreading the word about Stewart.

Mike has his own websites, and projects, and they are interesting and in at least one case wonderful research resources.

He has a site, Hidden Knowledge,  for the works of several authors, among those books the great adventure stories of Rafael Sabatini. Sabatini knew how to write a good tale.  Like C.S. Forester, Sabatini’s books are about the sea in the 18th century.  But Sabatini wrote pirate stories.  Like Forester, Sabatini’s work was filmed Captain Blood and and  The Sea-Hawk wonderful swashbucklers starring Errol Flynn, are probably the best-known.

(Please note that the links to buy the books no longer work.  So simply browse the site to learn more about Sabatini’s books, and the others Mike lists.)

Another of Mike’s sites is devoted to the art of magazine covers.  MagazineArt.org has more than 15,000 examples of cover art and magazine ads on the site – a virtual Smithsonian for the wonderful art of those printed wonders that enriched the lives of Americans and others before television or film or radio – and after, as well.

He has sites devoted to historic travels and travelers.  TravelHistory.org,  and another for the Trans-Siberian Railroad.  The many articles on the travel history page make for fascinating reading, allowing you to be an armchair traveler in the days of the web.

His pages link to other sites, about Burton Holmes, Rafael Sabatini, and George R. Stewart.

Thanks again to Mike Ward, whose GRS pages were the first major web presence for those of us who are fans of Stewart’s work.  Mike’s GRS pages bring others to this weblog.

His other pages are worth a browse.

GRS in a “Third Space”: Sharing ‘Stewart Gold’ with the Native Sons of the Golden West

(Thanks to the kindly efforts of WordPress Happiness Engineer, the missing post has been found!)

The Native Sons of the Golden West is a fraternal lodge like the Elks, and does community service like the Lions.  It comes from a noble old tradition of men’s lodges and women’s clubs which did much good work in their communities before government had the resources or the inclination.  Part social, part uplifting, part hard work and fund-raising.  These are community groups in some ways similar to Christian churches, since the meetings usually include a meal – a “communion,” one might call that – followed by shared exhortations and fundraising to fulfill community needs. Service/fraternal clubs often emphasize one or two areas of need.  Shriners built a hospital for crippled children; the Lions Club builds parks and helps the blind; the Grange supports farmers.

George and Ted (Theodosia) Stewart played an important role in the service/fraternal club movement during their years at the University of California, Berkeley.  In 1927, Ted helped found the University Section Club – so named because it had sections for members with different interests.  The Drama Section was the one in which George and Ted were active, writing and performing plays in a reader’s theatre style.  The socialization was a highlight for the Stewarts and the other members; and in the best tradition of such clubs, money raised by the Drama Section Club was used to buy milk for poor children.  The Section Club’s motto, “Friendship and Philanthropy,” is a fine statement of the character of all such groups, including the Native Sons of the Golden West.

In such friendship and philanthropy, the service/fraternal groups are an excellent example of what Robert Putnam, in his classic work Bowling Alone, calls “high social capital.”  According to Wikipedia, social capital was first defined in the way Putnam uses it by a West Virginia Educator, Supervisor of Rural Schools L.J. Hanifan.  Hanifan wrote:

I do not refer to real estate, or to personal property or to cold cash, but rather to that in life which tends to make these tangible substances count for most in the daily lives of people, namely, goodwill, fellowship, mutual sympathy and social intercourse among a group of individuals and families who make up a social unit… If he may come into contact with his neighbour, and they with other neighbours, there will be an accumulation of social capital, which may immediately satisfy his social needs and which may bear a social potentiality sufficient to the substantial improvement of living conditions in the whole community. The community as a whole will benefit by the cooperation of all its parts, while the individual will find in his associations the advantages of the help, the sympathy, and the fellowship of his neighbours.

(Read the entire book here.  Chapter VI is about social capital.)

The next leader to use the term was another famous educator, John Dewey.  It is interesting to note that educators, like Hanifan, Dewey, and Putnam understand the need for and the positive power of social capital, while some businesses and public agencies seemingly do not.  t.

George R. Stewart wrote about attacks on social capital in a brilliant chapter in his award-winning book Not So Rich As You Think. Although primarily about pollution and waste, Stewart also considers the waste of human talent that low social capital a threat to society.  As I wrote, in an earlier post about the book:

In a chapter entitled “Waste Without Weight” Stewart describes how the modern corporate state weakens social capital by constantly moving people around and thus prevents those people from ever developing a sense of community.  He suggests that the disorder caused by [such practices] may have a terrible effect on the personalities of humans, theorizing that juvenile delinquency may be one result.

In a society driven by the “bottom line,” economic capital becomes pre-eminent, and social capital is (purposefully, perhaps) weakened.  But the Native Sons, the Section Clubs, and their ilk, keep social capital alive. These organizations are “Third Spaces” – places other than home or work where people informally gather to share ideas and meals in a relaxed, informal, voluntary atmosphere, and often organize to plan improvements to their communities.

So when old friend Paul Lapachet, at his sister Beth and Brother-in-Law Brian’s annual Christmas Eve Gathering in their beautiful Twin Peaks Home,  invited me to speak to the Native Sons of the Golden West annual Discovery of Gold Celebration Banquet (which honors James Marshall’s discovery of the nugget that started the Gold Rush) I enthusiastically agreed. In the stressful time of a major move, it was good therapy to work up a presentation that would appeal to the diverse membership of the NSGW who were attending the banquet. 

The banquet was held in Rancho Cordova, close to the Gold Discovery site at Coloma. A great storm which hit the area didn’t  deter attendance.

The talk was well-received.  Several people asked for more information about GRS and his work.  Hopefully,  there’ll be some new GRS fans soon.

Old friend, John Lucia, formerly of California state parks, an avid collector of and restorer of historical objects and houses, attended the talk. Afterwards, I accepted John and Angela Lucia’s kind invitation to leave the  motel and stay in their magnificent home in an historic neighborhood of Sacramento. p1040663

John Lucia on the porch of his and Angela’s historic Sacramento home.  (Angela was cooking.)

Then the massive storm  – a GRS Maria if ever there was such – cleared, Donner Pass opened, and I headed east and south in the aged Chinook, to Carson City, Nevada.  It’s not easy to make such a major change at this stage of life; but talking about George R. Stewart, staying  with the Lucias (who knew the Stewarts), and then  moving to Stewart Country, was encouraging and uplifting.

So far, I’ve met a fine bookseller, an artist, a writer, and other residents who inform me that Carson City has decided to become a city of outdoor recreation and the arts.  GRS would be most happy – as I am. I feel  at home  here.

I’m now staying within walking distance from Stewart, Nevada, where GRS took this iconic portrait:

Author George R. Stewart in one of his favorite places, Nevada

Thanks to Paul Lapachet, I’ve learned a lot about the NSGW.  For one thing, I’d always assumed that one had to be a descendant of someone who arrived in California before 9,9, 1849.  But that’s not the case – anyone who was born here can join.

I also learned how much good work the NSGW does in the field of historic preservation and interpretation. For example:  the group places historic plaques in many locations;  saved Sutter’s Fort from demolition; and is raising the funds to restore the Pioneer Monument at Donner Lake State Historic Park (a monument they originally built and donated to the state) AND build a new interpretive center there.

I intend to join the NSGW.  I encourage all of you to consider it, too.

(Written in Stewart Country, not far from the California Trail  and Donner Pass.)

A Letter worthy of Thanksgiving

The attached text is from the comments section, but I wanted to highlight here.  It came this morning, quite by surprise.  Like the comments by other distinguished authors including Christopher Priest and James Sallis, it reminded me why I slog along this path of the honoring of George R. Stewart and his great novel, Earth Abides.

My original intention was to edit the message.  But it is so integrated that it shall stand as sent.  The only change  is to add links to Terence Green and his work.

Just finished your biography of George R. Stewart. Enjoyed it immensely — a very fine book. Like all good biographies, it gives a sense of the times and the place as well as the individual — especially the UC Berkeley milieu of that era. (In short, I learned a lot.)

I’m a Canadian writer and teacher, born in 1947, currently in my 12th year of teaching creative writing at Western University in London, Ontario, Canada (this London is a city of some 300,000, 2 hours south-west of Toronto). Before that, I spent 30 years teaching high school English, primarily in Toronto. I’m also the author of 8 books [That’s a review of one] (7 novels and a collection of short stories).

I bought and read the Ace paperback of EARTH ABIDES back in the early 60s (62? 63?) as a high-school teenager, and was duly impressed… So impressed, I might add, that I still have that particular 50-cent edition (more than 50 years now) on a bookshelf here in my office — an old favorite, and probably a collector’s item of sorts. I rank it with A CANTICLE FOR LEIBOWITZ — also never out of print — as transcending any genre, moving people, and opening eyes — touching the mind and the heart, as the best literature does.

When I spotted the trade paperback edition published by Del Rey about a decade ago, I bought it and re-read it. I was impressed once again. It more than held up. And just recently, I read it for the 3rd time, still moved and impressed — enough to search the internet for more information on Stewart. This is how I found and ordered your book.

I just wanted you to hear yet another story of how far-reaching his work has been, and by extension, how far-reaching your own appreciation has been.

Many thanks for the scholarship (and work) involved in spreading the word. I like to think there’s a potential, significant, continuous groundswell for the book, and that it will indeed abide long into the future, like Ish’s hammer. And you’ve helped.

Thanks to Terence Green, and to all those who understand the greatness of George R. Stewart and Earth Abides; and who take the trouble to let others in the “Fellowship of the Hammer” know their feelings.

George R. Stewart Finds Treasure Island

When I was a boy, the folks bought a record player and a recorded version of Robert Louis Stevenson’s Treasure Island.  Dad said I wore the record out, especially the beginning with its stirring lines:  “If ever a boy loved adventure, Jim Hawkins was his name.”

When George R. Stewart was a boy, wandering through the treasures in the family attic in Indiana, Pennsylvania, he found a copy of the book, Treasure Island.  He took it downstairs, opened it and began to read. It changed his life.

He became fascinated with maps and mapping, inspired by the map to pirate’s treasure.  Years later, he may have learned that Stevenson was similarly in love with maps; and he often mapped a story out first and then let the tale unfold as the map directed. Like Stevenson, Stewart would become an author of place, of geography, and of maps.

Stevenson’s book stayed with Stewart.  When he was at UC Berkeley, working on his Master’s Degree, two fine professors helped him discover his style of writing and his subject – the geography and history of the west.  He decided to write a Master’s Thesis which would combine the two.  Treasure Island came to mind.

There was some evidence that “Treasure Island” was, in fact, located in the landscapes and history of the greater Bay Area.  (One giveaway was the presence of rattlesnakes among Coast Live Oaks in the novel.)  Stewart decided to use the internal evidence from the novel, research into Stevenson’s writings, and field research to see if he could discover where the Island was located.

Stewart found Treasure Island.  The wave-swept beaches were the shores of Monterey Bay.  The Coast Live Oak forests backed the Bay.   The flat-topped mountain, Spyglass Hill, was Mount St. Helena, where Stevenson and his bride Fanny spent their honeymoon.

And the abandoned mine where the Stevensons spent their honeymoon gave Robert Louis Stevenson the name for one of his characters – one of the great characters of English literature.

Robert and Fanny stayed at the “old Juan Silverado mine.”

In English, roughly translated, that’s “old John of the Silver.”

“Long John Silver.”

Stewart had discovered not only the landscapes; he’d found Long John Silver himself.

If you visit the Napa wine country of California, it’s a short but winding drive north from Calistoga to “Robert Louis Stevenson State Park.”  Hike the short Memorial Trail to find a plaque memorializing the Stevensons’ honeymoon – placed where the mine cabin, the Old Juan Silverado mine cabin, stood.

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Or you can choose longer hikes which wind around and up and down Mount Saint Helena.

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Afterward, visit one of those fine Napa Valley wineries and raise a glass of  the wine Stevenson described as “bottled poetry” to celebrate your discovery of Treasure Island, and your meeting with Long John Silver himself.

For more information about Stevenson’s time in California, visit the pages of the Robert Louis Stevenson Organization.

Before you visit the park, review this page from the Robert Louis Stevenson Museum.   And read The Silverado Squatters, Stevenson’s record of the California years.  If you read the version edited by James Hart, From Scotland to Silverado, you’ll find George R. Stewart honored in the “Introduction” for his re-discovery of Treasure Island .  As at Donner Lake, Stewart’s research and writing were the foundation for a California state park.

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After Robert Louis Stevenson died, his widow, Fanny Stevenson, built a beautiful home on Hyde Street, near winding Lombard Street, on that long stretch of hill made famous by the Powell-Hyde Cable Car.  The house eventually went to Noel Sullivan, a member of the family of Mayor James D. Phelan.  Sullivan turned the place into a center of learning and the arts, holding frequent gatherings that included many members of what Ansel Adams once called “The Northern California Enlightenment” [or words to that effect].  Robert Louis Stevenson would have found that use most satisfying.

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